{"id":2629,"date":"2022-03-04T20:21:00","date_gmt":"2022-03-04T19:21:00","guid":{"rendered":"https:\/\/arbeits-film-festival.at\/?p=2629"},"modified":"2026-10-16T20:45:11","modified_gmt":"2026-10-16T18:45:11","slug":"frauen-im-laufgitter-weibliche-rollenbilder-und-die-schweizer-berufsbildung","status":"publish","type":"post","link":"https:\/\/arbeits-film-festival.at\/en\/2022\/03\/04\/frauen-im-laufgitter-weibliche-rollenbilder-und-die-schweizer-berufsbildung\/","title":{"rendered":"Power Plant Employment"},"content":{"rendered":"<style>.kb-row-layout-wrap.wp-block-kadence-rowlayout.kb-row-layout-id2629_40fdf5-a1{margin-top:0px;margin-bottom:0px;}.kb-row-layout-id2629_40fdf5-a1 > .kt-row-column-wrap{align-content:start;}:where(.kb-row-layout-id2629_40fdf5-a1 > .kt-row-column-wrap) > .wp-block-kadence-column{justify-content:start;}.kb-row-layout-id2629_40fdf5-a1 > .kt-row-column-wrap{column-gap:var(--global-kb-gap-none, 0rem );row-gap:var(--global-kb-gap-md, 2rem);max-width:var(--wp--style--global--content-size);padding-top:var(--global-kb-spacing-xl, 4rem);padding-right:0px;padding-bottom:0px;min-height:852px;grid-template-columns:minmax(0, 2fr) minmax(0, 1fr);}.kb-row-layout-id2629_40fdf5-a1{--breakout-negative-margin-right:calc( ( ( ( var(--global-vw, 100vw) - ( var(--wp--style--global--content-size) - ( 0px*2 ) ) ) \/ 2 ) *-1) + -1px);--breakout-negative-margin-left:calc( ( ( ( var(--global-vw, 100vw) - ( var(--wp--style--global--content-size) - ( 0px*2 ) ) ) \/ 2 ) *-1) + -1px);}.kb-row-layout-id2629_40fdf5-a1{background-color:rgba(17,17,17,0);}.kb-row-layout-id2629_40fdf5-a1 > .kt-row-layout-overlay{opacity:0.30;}.kb-row-layout-id2629_40fdf5-a1{z-index:906;position:relative;}@media all and (min-width: 1025px){.kb-row-layout-id2629_40fdf5-a1 > .kt-row-column-wrap > .wp-block-kadence-column:nth-child(1 of *:not(style)){margin-inline-start:calc( 0px *-1 );margin-inline-start:var(--breakout-negative-margin-left);}.kb-row-layout-id2629_40fdf5-a1 > .kt-row-column-wrap > .wp-block-kadence-column:nth-child(2 of *:not(style)){margin-inline-end:calc( 0px *-1 );margin-inline-end:var(--breakout-negative-margin-right);}}@media all and (max-width: 1024px){.kb-row-layout-id2629_40fdf5-a1 > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr) minmax(0, 2fr);}}@media all and (min-width: 768px) and (max-width: 1024px){.kb-row-layout-id2629_40fdf5-a1 > .kt-row-column-wrap:not(.kt-tab-layout-row) > .wp-block-kadence-column:nth-child(1 of *:not(style)){margin-inline-start:calc( 0px *-1 );}.kb-row-layout-id2629_40fdf5-a1 > .kt-row-column-wrap:not(.kt-tab-layout-row) > .wp-block-kadence-column:nth-child(2 of *:not(style)){margin-inline-end:calc( 0px *-1 );}}@media all and (max-width: 767px){.kb-row-layout-id2629_40fdf5-a1 > .kt-row-column-wrap{padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;grid-template-columns:minmax(0, 1fr);}}<\/style><div class=\"kb-row-layout-wrap kb-row-layout-id2629_40fdf5-a1 alignfull kt-row-has-bg wp-block-kadence-rowlayout\"><div class=\"kt-row-column-wrap kt-has-2-columns kt-row-layout-left-golden kt-tab-layout-right-golden kt-mobile-layout-row kt-row-valign-top kt-inner-column-height-full kb-theme-content-width\">\n<style>.kadence-column2629_ab1be4-b1 > .kt-inside-inner-col{min-height:600px;}.kadence-column2629_ab1be4-b1 > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column2629_ab1be4-b1 > .kt-inside-inner-col{flex-direction:column;}.kadence-column2629_ab1be4-b1 > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column2629_ab1be4-b1 > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column2629_ab1be4-b1{position:relative;}@media all and (max-width: 1024px){.kadence-column2629_ab1be4-b1 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 1024px){.kadence-column2629_ab1be4-b1, .kt-inside-inner-col > .kadence-column2629_ab1be4-b1:not(.specificity){margin-left:-25%;}}@media all and (max-width: 767px){.kadence-column2629_ab1be4-b1 > .kt-inside-inner-col{min-height:300px;flex-direction:column;justify-content:center;}.kadence-column2629_ab1be4-b1, .kt-inside-inner-col > .kadence-column2629_ab1be4-b1:not(.specificity){margin-top:0%;margin-right:0%;margin-bottom:0%;margin-left:0%;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column2629_ab1be4-b1 inner-column-1\"><div class=\"kt-inside-inner-col\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1997\" height=\"870\" src=\"https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2022\/03\/Bild_3_Fahrstuhl_zum_Reaktorbereich-1-scaled-1-edited-768x432-1.png\" alt=\"\" class=\"wp-image-3200\" srcset=\"https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2022\/03\/Bild_3_Fahrstuhl_zum_Reaktorbereich-1-scaled-1-edited-768x432-1.png 1997w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2022\/03\/Bild_3_Fahrstuhl_zum_Reaktorbereich-1-scaled-1-edited-768x432-1-300x131.png 300w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2022\/03\/Bild_3_Fahrstuhl_zum_Reaktorbereich-1-scaled-1-edited-768x432-1-18x8.png 18w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2022\/03\/Bild_3_Fahrstuhl_zum_Reaktorbereich-1-scaled-1-edited-768x432-1-1024x446.png 1024w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2022\/03\/Bild_3_Fahrstuhl_zum_Reaktorbereich-1-scaled-1-edited-768x432-1-767x334.png 767w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2022\/03\/Bild_3_Fahrstuhl_zum_Reaktorbereich-1-scaled-1-edited-768x432-1-1536x669.png 1536w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2022\/03\/Bild_3_Fahrstuhl_zum_Reaktorbereich-1-scaled-1-edited-768x432-1-1320x575.png 1320w\" sizes=\"auto, (max-width: 1997px) 100vw, 1997px\" \/><\/figure>\n\n\n\n<div class=\"wp-block-group padding-mobile is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-group is-vertical is-layout-flex wp-container-core-group-is-layout-2c90304e wp-block-group-is-layout-flex\">\n<p class=\"titulo-mobile has-x-large-font-size wp-block-paragraph\" style=\"padding-top:0;padding-bottom:0;line-height:1.2;text-transform:uppercase\"><strong>Power Plant Employment<\/strong><\/p>\n\n\n\n<p class=\"film-ortdatauhr sub-mobile has-text-color wp-block-paragraph\" style=\"color:#000000;margin-top:0;margin-bottom:0;font-size:20px;font-style:normal;font-weight:700;letter-spacing:0px;line-height:1.2;text-decoration:none;text-transform:uppercase\">J\u00f6rg Markowitsch <strong>\u2014 <\/strong>04.03.2022<\/p>\n\n\n\n<div style=\"height:0px\" aria-hidden=\"true\" class=\"wp-block-spacer wp-container-content-cc4259ba\"><\/div>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"text-transform:none\"><strong>Movies and documentaries on reactor disasters were trending last year. 10 years since Fukushima and 35 years since Chernobyl rolled the carpet out. For a true insight into the working world of nuclear power plants, however, I do recommend going further back, to Volker Sattel&#8217;s &#8222;Unter Kontrolle&#8220; (2011).<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">From the terrace of my house, I have a view of Austria\u2019s only nuclear power plant, which, as some may know, was never activated. From a distance, it looks like the shed of the coal-fired power station next to it, which was built as an alternative.<br><br>As an Austrian, I automatically associate nuclear power plants (NPP) with vacancy. Photos of the interior I am aware of show the impressive control room either abandoned or as a backdrop for fashion shoots. Everything I had known about working at nuclear power plants, I owe to Homer Simpson and his colleagues Carl Carlson and Lenny Leonard.<br><br>From Volker Sattel\u2019s multi-award-winning documentary \u201cUnter Kontrolle\u201d (2011) I learned that the Germans also managed the pointless feat of building nuclear power plants that never went into operation (e.g. Greifswald).<br><br>The film assembles exterior and interior shots of German nuclear power plants in an impressive Cinemascope format into one big whole, dispensing with the explanatory narration and rather sparsely using interviews. Sattel skillfully composes the film showing the destinies of these nuclear power plants in various states of use or misuse: Greifswald serves as a training center, Stendal is in the process of being dismantled and \u201cSchneller Br\u00fcter\u201d in Kalkar has been converted into an amusement park. Bolstered by shots of nuclear waste canisters, the International Atomic Energy Agency (IAEA) in Vienna, nuclear research laboratories and the annual German nuclear power conference, the film provides an overall view of the civilian nuclear-industrial system.<br><br>The nuclear world as documented by the camera is predominantly male. It is through male scientists, technicians and radiation protection specialists that the viewer experiences the power plant workplace: doing maintenance work, attending team meetings, serving-up food in the canteen, dressing themselves in the locker room and doing the laundry.<br><br>The film, which was completed immediately before the Fukushima disaster and thereafter received increased attention, initially focused on safety aspects alone. In contrast to what the experts in the film were saying, however, the images, which kind of resemble outdated science fiction films, are unable to convey that everything is \u201cunder control\u201d here. On the contrary, one has the queasy feeling of being equally at the mercy of technology and \u201cacts of&nbsp;god\u201d.<br><br>Later, the focus of the film shifts to the disposal, dismantling and after-use of nuclear power plants. It becomes clear that the need for radiation protection specialists is equally outdated. In compensation, they are reskilled as specialists in power plant dismantling. The film \u201cUnter Kontrolle\u201d is thus also an early and excellent example of the development of the need for \u201c<a href=\"https:\/\/www.unido.org\/stories\/what-are-green-skills\">green skills<\/a>\u201d. However, the values and activities of nuclear power plant employees, which have been reshaped by social and political changes, yet the personal challenges and bitterness that accompany them, are only touched on in passing.<br><br>In February 2011, \u201cUnter Kontrolle\u201d premiered at the Berlinale, in March, the nuclear disaster in Japan occurred, in May, the film was released, in June the Bundestag decided to end the use of nuclear energy in Germany by&nbsp;2022.<br><br>Just at the beginning of this year, the EU declared nuclear power to be \u201cgreen\u201d. This is unparalleled chutzpah that undermines decades of environmental efforts. Those responsible are therefore advised to watch \u201cUnder Control\u201d or if they are more of the action-movie type the excellent HBO series \u201cChernobyl\u201d (2019), the feature film \u201cFukushima 50\u201d (2020) or the no less exciting documentary version \u201cFukoshima: A Nuclear Story\u2019&nbsp;\u201d (2015).<br><br>I thank my friend Christian Nagl for singling out Volker Sattel\u2019s film.<\/p>\n\n\n\n<div style=\"height:32px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n<\/div>\n<\/div><\/div>\n\n\n<style>.kadence-column2629_a97efd-b2 > .kt-inside-inner-col{display:flex;}.kadence-column2629_a97efd-b2 > .kt-inside-inner-col{padding-right:var(--global-kb-spacing-md, 2rem);padding-bottom:var(--global-kb-spacing-lg, 3rem);padding-left:var(--global-kb-spacing-3xl, 6.5rem);}.kadence-column2629_a97efd-b2 > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column2629_a97efd-b2 > .kt-inside-inner-col{flex-direction:column;justify-content:flex-start;}.kadence-column2629_a97efd-b2 > .kt-inside-inner-col > .aligncenter{width:100%;}.kt-row-column-wrap > .kadence-column2629_a97efd-b2{align-self:flex-start;}.kt-inner-column-height-full:not(.kt-has-1-columns) > .wp-block-kadence-column.kadence-column2629_a97efd-b2{align-self:auto;}.kt-inner-column-height-full:not(.kt-has-1-columns) > .wp-block-kadence-column.kadence-column2629_a97efd-b2 > .kt-inside-inner-col{flex-direction:column;justify-content:flex-start;}.kadence-column2629_a97efd-b2 > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column2629_a97efd-b2{position:relative;}@media all and (max-width: 1024px){.kadence-column2629_a97efd-b2 > .kt-inside-inner-col{padding-left:var(--global-kb-spacing-md, 2rem);flex-direction:column;justify-content:flex-start;}}@media all and (max-width: 1024px){.kt-row-column-wrap > .kadence-column2629_a97efd-b2{align-self:flex-start;}}@media all and (max-width: 1024px){.kt-inner-column-height-full:not(.kt-has-1-columns) > .wp-block-kadence-column.kadence-column2629_a97efd-b2{align-self:auto;}}@media all and (max-width: 1024px){.kt-inner-column-height-full:not(.kt-has-1-columns) > .wp-block-kadence-column.kadence-column2629_a97efd-b2 > .kt-inside-inner-col{flex-direction:column;justify-content:flex-start;}}@media all and (max-width: 767px){.kadence-column2629_a97efd-b2 > .kt-inside-inner-col{padding-right:var(--global-kb-spacing-sm, 1.5rem);padding-left:var(--global-kb-spacing-sm, 1.5rem);flex-direction:column;justify-content:flex-start;}.kt-row-column-wrap > .kadence-column2629_a97efd-b2{align-self:flex-start;}.kt-inner-column-height-full:not(.kt-has-1-columns) > .wp-block-kadence-column.kadence-column2629_a97efd-b2{align-self:auto;}.kt-inner-column-height-full:not(.kt-has-1-columns) > .wp-block-kadence-column.kadence-column2629_a97efd-b2 > .kt-inside-inner-col{flex-direction:column;justify-content:flex-start;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column2629_a97efd-b2 kb-section-dir-vertical inner-column-2\"><div class=\"kt-inside-inner-col\">\n<div style=\"height:450px\" aria-hidden=\"true\" class=\"wp-block-spacer wp-block-hidden-mobile\"><\/div>\n\n\n\n<div class=\"wp-block-group is-layout-constrained wp-container-core-group-is-layout-9790f0ff wp-block-group-is-layout-constrained\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\" style=\"margin-top:0;margin-bottom:0\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"UNTER KONTROLLE Deutscher Trailer\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/F57dI0yHoiQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:12px;text-transform:uppercase\">\u201eUnter Kontrolle\u201c (2011), Volker Sattel, Trailer<\/p>\n<\/div>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-group is-layout-constrained wp-container-core-group-is-layout-9790f0ff wp-block-group-is-layout-constrained\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\" style=\"margin-top:0;margin-bottom:0\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Chernobyl (2019) | Official Trailer | HBO\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/s9APLXM9Ei8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:12px;text-transform:uppercase\">Chernobyl, 2019, Trailer<\/p>\n<\/div>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-group is-layout-constrained wp-container-core-group-is-layout-9790f0ff wp-block-group-is-layout-constrained\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\" style=\"margin-top:0;margin-bottom:0\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"FUKUSHIMA 50 Trailer (2021)\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/k1dZ8uVJq2o?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:12px;text-transform:uppercase\">Fukushima 50, 2021, Trailer<\/p>\n<\/div>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-group is-layout-constrained wp-container-core-group-is-layout-9790f0ff wp-block-group-is-layout-constrained\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\" style=\"margin-top:0;margin-bottom:0\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Fukushima: A Nuclear Story - Official International Trailer - English HD\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/FlD-O9xgBFI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:12px;text-transform:uppercase\">Fukoshima: A Nuclear Story, 2015, Trailer<\/p>\n<\/div>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-group is-layout-constrained wp-container-core-group-is-layout-9790f0ff wp-block-group-is-layout-constrained\">\n<figure class=\"wp-block-image size-full\" style=\"margin-top:0;margin-bottom:0\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"406\" src=\"https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/08\/unter_kontrolle_dekontaminierung_imgsize_M.jpg\" alt=\"\" class=\"wp-image-3006\" srcset=\"https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/08\/unter_kontrolle_dekontaminierung_imgsize_M.jpg 600w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/08\/unter_kontrolle_dekontaminierung_imgsize_M-300x203.jpg 300w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/08\/unter_kontrolle_dekontaminierung_imgsize_M-18x12.jpg 18w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure>\n\n\n\n<div class=\"wp-block-group is-layout-constrained wp-container-core-group-is-layout-ee2332cf wp-block-group-is-layout-constrained\">\n<p class=\"has-ast-global-color-1-color has-text-color has-link-color wp-elements-1 wp-block-paragraph\" style=\"font-size:12px;text-transform:uppercase\">Unter Kontrolle, 2011, still<br>\u00a9 credo:film<\/p>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-group is-layout-constrained wp-container-core-group-is-layout-9790f0ff wp-block-group-is-layout-constrained\">\n<figure class=\"wp-block-image size-full\" style=\"margin-top:0;margin-bottom:0\"><img loading=\"lazy\" decoding=\"async\" width=\"994\" height=\"558\" src=\"https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/08\/CREDO-Film.jpg\" alt=\"\" class=\"wp-image-3007\" srcset=\"https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/08\/CREDO-Film.jpg 994w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/08\/CREDO-Film-300x168.jpg 300w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/08\/CREDO-Film-18x10.jpg 18w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/08\/CREDO-Film-768x431.jpg 768w\" sizes=\"auto, (max-width: 994px) 100vw, 994px\" \/><\/figure>\n\n\n\n<div class=\"wp-block-group is-layout-constrained wp-container-core-group-is-layout-ee2332cf wp-block-group-is-layout-constrained\">\n<p class=\"has-ast-global-color-1-color has-text-color has-link-color wp-elements-2 wp-block-paragraph\" style=\"font-size:12px;text-transform:uppercase\">Unter Kontrolle, 2011, still<br>\u00a9 credo:film<\/p>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-group is-layout-constrained wp-container-core-group-is-layout-9790f0ff wp-block-group-is-layout-constrained\">\n<figure class=\"wp-block-image size-full\" style=\"margin-top:0;margin-bottom:0\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"450\" src=\"https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/08\/Mubi.jpg\" alt=\"\" class=\"wp-image-3008\" srcset=\"https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/08\/Mubi.jpg 800w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/08\/Mubi-300x169.jpg 300w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/08\/Mubi-18x10.jpg 18w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/08\/Mubi-768x432.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/figure>\n\n\n\n<div class=\"wp-block-group is-layout-constrained wp-container-core-group-is-layout-ee2332cf wp-block-group-is-layout-constrained\">\n<p class=\"has-ast-global-color-1-color has-text-color has-link-color wp-elements-3 wp-block-paragraph\" style=\"font-size:12px;text-transform:uppercase\">Unter Kontrolle, 2011, still<br>\u00a9 credo:film<\/p>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-group is-layout-constrained wp-container-core-group-is-layout-9790f0ff wp-block-group-is-layout-constrained\">\n<figure class=\"wp-block-image size-full\" style=\"margin-top:0;margin-bottom:0\"><img loading=\"lazy\" decoding=\"async\" width=\"2560\" height=\"1703\" src=\"https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/08\/Bild_3_Fahrstuhl_zum_Reaktorbereich-1-scaled-1.jpg\" alt=\"\" class=\"wp-image-3009\" srcset=\"https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/08\/Bild_3_Fahrstuhl_zum_Reaktorbereich-1-scaled-1.jpg 2560w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/08\/Bild_3_Fahrstuhl_zum_Reaktorbereich-1-scaled-1-300x199.jpg 300w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/08\/Bild_3_Fahrstuhl_zum_Reaktorbereich-1-scaled-1-767x510.jpg 767w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/08\/Bild_3_Fahrstuhl_zum_Reaktorbereich-1-scaled-1-18x12.jpg 18w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/08\/Bild_3_Fahrstuhl_zum_Reaktorbereich-1-scaled-1-1024x681.jpg 1024w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/08\/Bild_3_Fahrstuhl_zum_Reaktorbereich-1-scaled-1-2048x1362.jpg 2048w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/08\/Bild_3_Fahrstuhl_zum_Reaktorbereich-1-scaled-1-1536x1022.jpg 1536w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/08\/Bild_3_Fahrstuhl_zum_Reaktorbereich-1-scaled-1-1320x878.jpg 1320w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\" \/><\/figure>\n\n\n\n<div class=\"wp-block-group is-layout-constrained wp-container-core-group-is-layout-ee2332cf wp-block-group-is-layout-constrained\">\n<p class=\"has-ast-global-color-1-color has-text-color has-link-color wp-elements-4 wp-block-paragraph\" style=\"font-size:12px;text-transform:uppercase\">Unter Kontrolle, 2011, still<br>\u00a9 credo:film<\/p>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:48px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Tags  <strong>\u2501\u2501\u2501\u2501<strong>\u2501<\/strong>\u2501<strong>\u2501\u2501\u2501<strong>\u2501<\/strong>\u2501<\/strong><\/strong><\/p>\n\n\n<div style=\"text-transform:uppercase\" class=\"taxonomy-post_tag wp-block-post-terms has-small-font-size\"><a href=\"https:\/\/arbeits-film-festival.at\/en\/tag\/berufsbildung\/\" rel=\"tag\">Vocational Education<\/a><span class=\"wp-block-post-terms__separator\">, <\/span><a href=\"https:\/\/arbeits-film-festival.at\/en\/tag\/frauenberufe\/\" rel=\"tag\">Women\u2019s Occupations<\/a><span class=\"wp-block-post-terms__separator\">, <\/span><a href=\"https:\/\/arbeits-film-festival.at\/en\/tag\/geschichte\/\" rel=\"tag\">history<\/a><span class=\"wp-block-post-terms__separator\">, <\/span><a href=\"https:\/\/arbeits-film-festival.at\/en\/tag\/iris-von-roten\/\" rel=\"tag\">Iris von Roten<\/a><span class=\"wp-block-post-terms__separator\">, <\/span><a href=\"https:\/\/arbeits-film-festival.at\/en\/tag\/museum-strauhof\/\" rel=\"tag\">Museum Strauhof<\/a><span class=\"wp-block-post-terms__separator\">, <\/span><a href=\"https:\/\/arbeits-film-festival.at\/en\/tag\/schweiz\/\" rel=\"tag\">Switzerland<\/a><\/div><\/div><\/div>\n\n<\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>Movies and documentaries on reactor disasters were trending last year. 10 years since Fukushima and 35 years since Chernobyl rolled the carpet out. For a true insight into the working world of nuclear power plants, however, I do recommend going further back, to Volker Sattel&#8217;s &#8222;Unter Kontrolle&#8220; (2011).<\/p>","protected":false},"author":1,"featured_media":3010,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":"","_links_to":"","_links_to_target":""},"categories":[8],"tags":[55,56,57,58,59,60],"class_list":["post-2629","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-work-o-witch","tag-berufsbildung","tag-frauenberufe","tag-geschichte","tag-iris-von-roten","tag-museum-strauhof","tag-schweiz"],"uagb_featured_image_src":{"full":["https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/09\/Bild_3_Fahrstuhl_zum_Reaktorbereich-1-scaled-1-edited.jpg",2560,1440,false],"thumbnail":["https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/09\/Bild_3_Fahrstuhl_zum_Reaktorbereich-1-scaled-1-edited-150x150.jpg",150,150,true],"medium":["https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/09\/Bild_3_Fahrstuhl_zum_Reaktorbereich-1-scaled-1-edited-300x169.jpg",300,169,true],"medium_large":["https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/09\/Bild_3_Fahrstuhl_zum_Reaktorbereich-1-scaled-1-edited-768x432.jpg",768,432,true],"large":["https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/09\/Bild_3_Fahrstuhl_zum_Reaktorbereich-1-scaled-1-edited-1024x576.jpg",1024,576,true],"1536x1536":["https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/09\/Bild_3_Fahrstuhl_zum_Reaktorbereich-1-scaled-1-edited-1536x864.jpg",1536,864,true],"2048x2048":["https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/09\/Bild_3_Fahrstuhl_zum_Reaktorbereich-1-scaled-1-edited-2048x1152.jpg",2048,1152,true],"trp-custom-language-flag":["https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/09\/Bild_3_Fahrstuhl_zum_Reaktorbereich-1-scaled-1-edited-18x10.jpg",18,10,true],"mailpoet_newsletter_max":["https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/09\/Bild_3_Fahrstuhl_zum_Reaktorbereich-1-scaled-1-edited-1320x743.jpg",1320,743,true]},"uagb_author_info":{"display_name":"administrador","author_link":"https:\/\/arbeits-film-festival.at\/en\/author\/admin\/"},"uagb_comment_info":0,"uagb_excerpt":"Movies and documentaries on reactor disasters were trending last year. 10 years since Fukushima and 35 years since Chernobyl rolled the carpet out. For a true insight into the working world of nuclear power plants, however, I do recommend going further back, to Volker Sattel's \"Unter Kontrolle\" (2011).","_links":{"self":[{"href":"https:\/\/arbeits-film-festival.at\/en\/wp-json\/wp\/v2\/posts\/2629","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/arbeits-film-festival.at\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/arbeits-film-festival.at\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/arbeits-film-festival.at\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/arbeits-film-festival.at\/en\/wp-json\/wp\/v2\/comments?post=2629"}],"version-history":[{"count":16,"href":"https:\/\/arbeits-film-festival.at\/en\/wp-json\/wp\/v2\/posts\/2629\/revisions"}],"predecessor-version":[{"id":3201,"href":"https:\/\/arbeits-film-festival.at\/en\/wp-json\/wp\/v2\/posts\/2629\/revisions\/3201"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/arbeits-film-festival.at\/en\/wp-json\/wp\/v2\/media\/3010"}],"wp:attachment":[{"href":"https:\/\/arbeits-film-festival.at\/en\/wp-json\/wp\/v2\/media?parent=2629"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/arbeits-film-festival.at\/en\/wp-json\/wp\/v2\/categories?post=2629"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/arbeits-film-festival.at\/en\/wp-json\/wp\/v2\/tags?post=2629"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}