{"id":2644,"date":"2026-08-30T20:47:16","date_gmt":"2026-08-30T18:47:16","guid":{"rendered":"https:\/\/arbeits-film-festival.at\/?p=2644"},"modified":"2026-08-30T20:50:57","modified_gmt":"2026-08-30T18:50:57","slug":"un-verantwortliche-arbeit-fuer-uns","status":"publish","type":"post","link":"https:\/\/arbeits-film-festival.at\/en\/2026\/08\/30\/un-verantwortliche-arbeit-fuer-uns\/","title":{"rendered":"(Un-)verantwortliche Arbeit \u2013 f\u00fcr uns"},"content":{"rendered":"<style>.kb-row-layout-wrap.wp-block-kadence-rowlayout.kb-row-layout-id2644_56b940-33{margin-top:0px;margin-bottom:0px;}.kb-row-layout-id2644_56b940-33 > .kt-row-column-wrap{align-content:center;}:where(.kb-row-layout-id2644_56b940-33 > .kt-row-column-wrap) > .wp-block-kadence-column{justify-content:center;}.kb-row-layout-id2644_56b940-33 > .kt-row-column-wrap{column-gap:var(--global-kb-gap-none, 0rem );row-gap:var(--global-kb-gap-md, 2rem);max-width:var(--wp--style--global--content-size);padding-top:var(--global-kb-spacing-xl, 4rem);padding-right:0px;padding-bottom:0px;min-height:852px;grid-template-columns:minmax(0, 2fr) minmax(0, 1fr);}.kb-row-layout-id2644_56b940-33{--breakout-negative-margin-right:calc( ( ( ( var(--global-vw, 100vw) - ( var(--wp--style--global--content-size) - ( 0px*2 ) ) ) \/ 2 ) *-1) + -1px);--breakout-negative-margin-left:calc( ( ( ( var(--global-vw, 100vw) - ( var(--wp--style--global--content-size) - ( 0px*2 ) ) ) \/ 2 ) *-1) + -1px);}.kb-row-layout-id2644_56b940-33{background-color:rgba(17,17,17,0);}.kb-row-layout-id2644_56b940-33 > .kt-row-layout-overlay{opacity:0.30;}.kb-row-layout-id2644_56b940-33{z-index:906;position:relative;}@media all and (min-width: 1025px){.kb-row-layout-id2644_56b940-33 > .kt-row-column-wrap > .wp-block-kadence-column:nth-child(1 of *:not(style)){margin-inline-start:calc( 0px *-1 );margin-inline-start:var(--breakout-negative-margin-left);}.kb-row-layout-id2644_56b940-33 > .kt-row-column-wrap > .wp-block-kadence-column:nth-child(2 of *:not(style)){margin-inline-end:calc( 0px *-1 );margin-inline-end:var(--breakout-negative-margin-right);}}@media all and (max-width: 1024px){.kb-row-layout-id2644_56b940-33 > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr) minmax(0, 2fr);}}@media all and (min-width: 768px) and (max-width: 1024px){.kb-row-layout-id2644_56b940-33 > .kt-row-column-wrap:not(.kt-tab-layout-row) > .wp-block-kadence-column:nth-child(1 of *:not(style)){margin-inline-start:calc( 0px *-1 );}.kb-row-layout-id2644_56b940-33 > .kt-row-column-wrap:not(.kt-tab-layout-row) > .wp-block-kadence-column:nth-child(2 of *:not(style)){margin-inline-end:calc( 0px *-1 );}}@media all and (max-width: 767px){.kb-row-layout-id2644_56b940-33 > .kt-row-column-wrap{padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;grid-template-columns:minmax(0, 1fr);}}<\/style><div class=\"kb-row-layout-wrap kb-row-layout-id2644_56b940-33 alignfull kt-row-has-bg wp-block-kadence-rowlayout\"><div class=\"kt-row-column-wrap kt-has-2-columns kt-row-layout-left-golden kt-tab-layout-right-golden kt-mobile-layout-row kt-row-valign-middle kt-inner-column-height-full kb-theme-content-width\">\n<style>.kadence-column2644_d6dc9e-91 > .kt-inside-inner-col{display:flex;}.kadence-column2644_d6dc9e-91 > .kt-inside-inner-col{min-height:600px;}.kadence-column2644_d6dc9e-91 > .kt-inside-inner-col,.kadence-column2644_d6dc9e-91 > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column2644_d6dc9e-91 > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column2644_d6dc9e-91 > .kt-inside-inner-col{flex-direction:column-reverse;justify-content:flex-start;}.kadence-column2644_d6dc9e-91 > .kt-inside-inner-col > .aligncenter{width:100%;}.kt-row-column-wrap > .kadence-column2644_d6dc9e-91{align-self:flex-start;}.kt-inner-column-height-full:not(.kt-has-1-columns) > .wp-block-kadence-column.kadence-column2644_d6dc9e-91{align-self:auto;}.kt-inner-column-height-full:not(.kt-has-1-columns) > .wp-block-kadence-column.kadence-column2644_d6dc9e-91 > .kt-inside-inner-col{flex-direction:column;justify-content:flex-start;}.kadence-column2644_d6dc9e-91 > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column2644_d6dc9e-91{position:relative;}@media all and (max-width: 1024px){.kt-row-column-wrap > .kadence-column2644_d6dc9e-91{align-self:flex-start;}}@media all and (max-width: 1024px){.kt-inner-column-height-full:not(.kt-has-1-columns) > .wp-block-kadence-column.kadence-column2644_d6dc9e-91{align-self:auto;}}@media all and (max-width: 1024px){.kt-inner-column-height-full:not(.kt-has-1-columns) > .wp-block-kadence-column.kadence-column2644_d6dc9e-91 > .kt-inside-inner-col{flex-direction:column;justify-content:flex-start;}}@media all and (max-width: 1024px){.kadence-column2644_d6dc9e-91 > .kt-inside-inner-col{flex-direction:column-reverse;justify-content:flex-start;}}@media all and (max-width: 1024px){.kadence-column2644_d6dc9e-91, .kt-inside-inner-col > .kadence-column2644_d6dc9e-91:not(.specificity){margin-left:-25%;}}@media all and (max-width: 767px){.kadence-column2644_d6dc9e-91 > .kt-inside-inner-col{min-height:300px;flex-direction:column-reverse;justify-content:flex-start;}.kt-row-column-wrap > .kadence-column2644_d6dc9e-91{align-self:flex-start;}.kt-inner-column-height-full:not(.kt-has-1-columns) > .wp-block-kadence-column.kadence-column2644_d6dc9e-91{align-self:auto;}.kt-inner-column-height-full:not(.kt-has-1-columns) > .wp-block-kadence-column.kadence-column2644_d6dc9e-91 > .kt-inside-inner-col{flex-direction:column;justify-content:flex-start;}.kadence-column2644_d6dc9e-91, .kt-inside-inner-col > .kadence-column2644_d6dc9e-91:not(.specificity){margin-top:0%;margin-right:0%;margin-bottom:0%;margin-left:0%;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column2644_d6dc9e-91 kb-section-dir-vertical-reverse inner-column-1\"><div class=\"kt-inside-inner-col\">\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" src=\"https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/08\/MV5BOWNhYzE1ZmUtNDg0Zi00MjIxLWFkOWYtOTUyNDhmZjdkYzJmXkEyXkFqcGc@._V1_-e1788115708569.jpg\" alt=\"\" class=\"wp-image-2650\"\/><\/figure>\n\n\n\n<p class=\"has-x-large-font-size wp-block-paragraph\" style=\"padding-top:0;padding-bottom:0;line-height:1.2;text-transform:uppercase\"><strong>(Un-)verantwortliche Arbeit \u2013 f\u00fcr uns<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"text-transform:uppercase\"><strong>\u201eLiving \u2013 einmal wirklich leben\u201c (2022) ist das britische Remake des Klassikers &#8222;Ikiru&#8220; von Akira Kurosawa von 1952. Der Film thematisiert ein zentrales Thema der Arbeitswelt: Verantwortung \u00fcbernehmen. Bill Nighy, vielleicht in der Rolle seines Lebens, Drehbuchautor Ishiguro und der Film an sich wurden f\u00fcr mehrere britische Filmpreise nominiert.<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Der Filmtopos und die zugeh\u00f6rige Filmszene sind bekannt: Der\/die Protagonist:in bekommt die Diagnose \u201eKrebs\u201c und die ersch\u00fctternde Nachricht, dass sie nur noch wenige Monate zu leben hat. Rodney Williams, brillant gespielt von Bill Nighy, wird damit im Film \u201eLiving\u201c (UK, 2022, Regie: Oliver Hermanus, Drehbuch: Kazuo Ishiguro) konfrontiert. Wenig \u00fcberraschend sucht er zun\u00e4chst das Gl\u00fcck seiner letzten Stunden mit Spiel, Alkohol und Frauen zu finden. Allerdings bleibt dieses Vorgehen erfolglos und unbefriedigend f\u00fcr\u00a0ihn.<br><br>Lange sucht er erfolglos nach dem tieferen Sinn des Lebens, bevor er diesen schlie\u00dflich in der Arbeit und in der Hilfe f\u00fcr andere findet. Besch\u00e4ftigt in der Bauabteilung der Londoner Stadtverwaltung setzt er durch pers\u00f6nlichen Einsatz und F\u00fcrsprache in anderen Abteilungen der Verwaltung Himmel und H\u00f6lle in Bewegung, damit eine Nachbarschaftsinitiative einen Spielplatz f\u00fcr Kinder bauen kann. Er wandelt sich von einem Besch\u00e4ftigten, der nur Dienst nach Vorschrift macht, zu einem Menschen, der Verantwortung \u00fcbernimmt und auch gegen Widerst\u00e4nde etwas positiv bewegen will. K\u00f6stlich die Szene, wo betont wird, dass die H\u00f6he des Bergs an unerledigter Arbeit als heimliches Arbeitsziel gilt, um die eigene Bedeutung symbolisch zu markieren.<br><br>Kurz nach der Filmmitte verstirbt Williams bereits und der Rest des Films erz\u00e4hlen \u00fcber sein Wirken in den letzten Tagen sowie welche positiven Wirkungen sein Tun auf seine Mitmenschen hatte. Wer aber nun denkt, dass es hier schnulzig wird und sich alles zu einem seichten Happyend aufl\u00f6st, wird mit einem unerwarteten Twist in der Storyline herb entt\u00e4uscht. Mindestens zwei Szenen bergen dann \u00dcberraschungen. Gro\u00dfe Reden werden von seinem Nachfolger im Kollegenkreis geschwungen. Man solle im Andenken an den Verstorbenen schw\u00f6ren, nun wie er zu handeln. Aber das tats\u00e4chliche Tun f\u00e4llt dann von dem Nachfolger anders aus. Er f\u00e4llt in die Routine eines Abschiebens von Verantwortung zur\u00fcck. Ein junger Mitarbeiter \u2014 eigentlich inspiriert und gef\u00f6rdert von Williams \u2014 scheitert kl\u00e4glich darin, selbst Verantwortung zu \u00fcbernehmen. Er traut sich \u2014 ohne gr\u00f6\u00dferes pers\u00f6nliches Risiko \u2014 nicht einmal die Stimme zu erheben, um gegen die Unt\u00e4tigkeit in der B\u00fcrokratie zu protestieren.<br><br>Der Film irritiert seine Zuschauenden mit der schonungslosen Erkenntnis wieviel leichter es ist, keine Verantwortung f\u00fcr die und in der eigenen Arbeit zu \u00fcbernehmen. Auch gute Vorbilder wirken oft nicht dauerhaft und es ist schwierig, Verantwortung nachhaltig und strukturell zu verankern.<br><br>In unserer stark vernetzten Arbeitswelt, wo wir oft in Teams arbeiten m\u00fcssen, ist es aus verschiedenen Gr\u00fcnden ein Leichtes, Verantwortung hin- und herzuschieben. In einer Arbeitswelt, die immer mehr von Algorithmen und KI mitbestimmt wird, kann man sich zudem hinter der Technik verstecken [<a href=\"https:\/\/www.handelsblatt.com\/unternehmen\/handel-konsumgueter\/kartellamt-ruegt-lufthansa-solche-algorithmen-werden-ja-nicht-vom-lieben-gott-geschrieben\/20795072.html\">1<\/a>]. CEOs haben schon dubiose Gesch\u00e4ftspraktiken mit angeblich nicht beeinflussbaren Algorithmen zu legitimieren gesucht. Es ist nicht unwahrscheinlich, dass dies zunehmen wird, da man nun Verantwortung nicht nur auf Mitarbeitende, sondern nun auch noch auf die KI und Algorithmen abschieben\u00a0kann.<br><br>Der Film \u201eLiving\u201c vermag Zuseher:innen skeptisch stimmen, ob wir in Gegenwart und Zukunft besser mit Verantwortung umgehen werden. Er beh\u00e4lt trotz aller Skepsis aber letztlich doch auch eine positive Botschaft parat. Dem Filmhelden bescherte sein Tun ein gl\u00fcckliches und erf\u00fclltes Lebensende. Wir sollten Verantwortung nicht allein deswegen \u00fcbernehmen, um anderen zu helfen, sondern wir helfen uns in einer Art egoistischen Altruismus selbst, wenn wir Mut zeigen statt an Routinen zu kleben.<br><br><strong>Bernd K\u00e4pplinger\u00a0<\/strong>ist Professor f\u00fcr Weiterbildung an der Justus-Liebig-Universit\u00e4t Gie\u00dfen.<br><br>Handelsblatt (28.12.2017). \u201c<a href=\"https:\/\/www.handelsblatt.com\/unternehmen\/handel-konsumgueter\/kartellamt-ruegt-lufthansa-solche-algorithmen-werden-ja-nicht-vom-lieben-gott-geschrieben\/20795072.html\">Solche Algorithmen werden ja nicht von Gott geschrieben<\/a>\u201d<\/p>\n<\/div><\/div>\n\n\n<style>.kadence-column2644_36288c-eb > .kt-inside-inner-col{display:flex;}.kadence-column2644_36288c-eb > .kt-inside-inner-col{padding-right:var(--global-kb-spacing-md, 2rem);padding-bottom:var(--global-kb-spacing-lg, 3rem);padding-left:var(--global-kb-spacing-3xl, 6.5rem);}.kadence-column2644_36288c-eb > .kt-inside-inner-col,.kadence-column2644_36288c-eb > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column2644_36288c-eb > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column2644_36288c-eb > .kt-inside-inner-col{flex-direction:column;justify-content:flex-start;}.kadence-column2644_36288c-eb > .kt-inside-inner-col > .aligncenter{width:100%;}.kt-row-column-wrap > .kadence-column2644_36288c-eb{align-self:flex-start;}.kt-inner-column-height-full:not(.kt-has-1-columns) > .wp-block-kadence-column.kadence-column2644_36288c-eb{align-self:auto;}.kt-inner-column-height-full:not(.kt-has-1-columns) > .wp-block-kadence-column.kadence-column2644_36288c-eb > .kt-inside-inner-col{flex-direction:column;justify-content:flex-start;}.kadence-column2644_36288c-eb > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column2644_36288c-eb{position:relative;}@media all and (max-width: 1024px){.kadence-column2644_36288c-eb > .kt-inside-inner-col{padding-left:var(--global-kb-spacing-md, 2rem);flex-direction:column;justify-content:flex-start;}}@media all and (max-width: 1024px){.kt-row-column-wrap > .kadence-column2644_36288c-eb{align-self:flex-start;}}@media all and (max-width: 1024px){.kt-inner-column-height-full:not(.kt-has-1-columns) > .wp-block-kadence-column.kadence-column2644_36288c-eb{align-self:auto;}}@media all and (max-width: 1024px){.kt-inner-column-height-full:not(.kt-has-1-columns) > .wp-block-kadence-column.kadence-column2644_36288c-eb > .kt-inside-inner-col{flex-direction:column;justify-content:flex-start;}}@media all and (max-width: 767px){.kadence-column2644_36288c-eb > .kt-inside-inner-col{padding-right:var(--global-kb-spacing-sm, 1.5rem);padding-left:var(--global-kb-spacing-sm, 1.5rem);flex-direction:column;justify-content:flex-start;}.kt-row-column-wrap > .kadence-column2644_36288c-eb{align-self:flex-start;}.kt-inner-column-height-full:not(.kt-has-1-columns) > .wp-block-kadence-column.kadence-column2644_36288c-eb{align-self:auto;}.kt-inner-column-height-full:not(.kt-has-1-columns) > .wp-block-kadence-column.kadence-column2644_36288c-eb > .kt-inside-inner-col{flex-direction:column;justify-content:flex-start;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column2644_36288c-eb kb-section-dir-vertical inner-column-2\"><div class=\"kt-inside-inner-col\">\n<div style=\"height:330px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><br>Bernd K\u00e4pplinger  <strong>\u2501\u2501 <\/strong>17.10.2023<\/p>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-group is-layout-constrained wp-container-core-group-is-layout-9790f0ff wp-block-group-is-layout-constrained\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\" style=\"margin-top:0;margin-bottom:0\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"responsive-container\"><iframe loading=\"lazy\" title=\"LIVING | Official Trailer (2022)\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/OVo5kLt_-BU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:12px;text-transform:uppercase\">Living, UK, 2022, Oliver Hermanus<\/p>\n<\/div>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-group is-layout-constrained wp-container-core-group-is-layout-9790f0ff wp-block-group-is-layout-constrained\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\" style=\"margin-top:0;margin-bottom:0\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"responsive-container\"><iframe loading=\"lazy\" title=\"Bill Nighy, Kazuo Ishiguro &amp; Oliver Hermanus on Living | Film4 Interview\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/tzSf_bnqLoQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:12px;text-transform:uppercase\">Bill Nighy, Kazuo Ishiguro &amp; Oliver Hermanus on &#8222;Living&#8220;, Film4<\/p>\n<\/div>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-group is-layout-constrained wp-container-core-group-is-layout-9790f0ff wp-block-group-is-layout-constrained\">\n<figure class=\"wp-block-image size-full\" style=\"margin-top:0;margin-bottom:0\"><img loading=\"lazy\" decoding=\"async\" width=\"710\" height=\"480\" src=\"https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/08\/1.jpg\" alt=\"\" class=\"wp-image-2645\" srcset=\"https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/08\/1.jpg 710w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/08\/1-300x203.jpg 300w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/08\/1-18x12.jpg 18w\" sizes=\"auto, (max-width: 710px) 100vw, 710px\" \/><\/figure>\n\n\n\n<div class=\"wp-block-group is-layout-constrained wp-container-core-group-is-layout-ee2332cf wp-block-group-is-layout-constrained\">\n<p class=\"has-ast-global-color-1-color has-text-color has-link-color wp-elements-1 wp-block-paragraph\" style=\"font-size:12px;text-transform:uppercase\">Bill Nighty, Living, UK, 2022, Filmstill<br>\u00a9 Sony Pictures<\/p>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:35px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-group is-layout-constrained wp-container-core-group-is-layout-9790f0ff wp-block-group-is-layout-constrained\">\n<figure class=\"wp-block-image size-full\" style=\"margin-top:0;margin-bottom:0\"><img loading=\"lazy\" decoding=\"async\" width=\"710\" height=\"480\" src=\"https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/08\/6.jpg\" alt=\"\" class=\"wp-image-2646\" srcset=\"https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/08\/6.jpg 710w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/08\/6-300x203.jpg 300w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/08\/6-18x12.jpg 18w\" sizes=\"auto, (max-width: 710px) 100vw, 710px\" \/><\/figure>\n\n\n\n<div class=\"wp-block-group is-layout-constrained wp-container-core-group-is-layout-ee2332cf wp-block-group-is-layout-constrained\">\n<p class=\"has-ast-global-color-1-color has-text-color has-link-color wp-elements-2 wp-block-paragraph\" style=\"font-size:12px;text-transform:uppercase\">Bill Nighty, Living, UK, 2022, Filmstill<br>\u00a9 Sony Pictures<\/p>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:35px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-group is-layout-constrained wp-container-core-group-is-layout-9790f0ff wp-block-group-is-layout-constrained\">\n<figure class=\"wp-block-image size-full\" style=\"margin-top:0;margin-bottom:0\"><img loading=\"lazy\" decoding=\"async\" width=\"710\" height=\"480\" src=\"https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/08\/12.jpg\" alt=\"\" class=\"wp-image-2647\" srcset=\"https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/08\/12.jpg 710w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/08\/12-300x203.jpg 300w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/08\/12-18x12.jpg 18w\" sizes=\"auto, (max-width: 710px) 100vw, 710px\" \/><\/figure>\n\n\n\n<div class=\"wp-block-group is-layout-constrained wp-container-core-group-is-layout-ee2332cf wp-block-group-is-layout-constrained\">\n<p class=\"has-ast-global-color-1-color has-text-color has-link-color wp-elements-3 wp-block-paragraph\" style=\"font-size:12px;text-transform:uppercase\">Living, UK, 2022, Filmstill<br>\u00a9 Sony Pictures<\/p>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:35px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-group is-layout-constrained wp-container-core-group-is-layout-9790f0ff wp-block-group-is-layout-constrained\">\n<figure class=\"wp-block-image size-full\" style=\"margin-top:0;margin-bottom:0\"><img loading=\"lazy\" decoding=\"async\" width=\"710\" height=\"480\" src=\"https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/08\/20.jpg\" alt=\"\" class=\"wp-image-2648\" srcset=\"https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/08\/20.jpg 710w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/08\/20-300x203.jpg 300w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/08\/20-18x12.jpg 18w\" sizes=\"auto, (max-width: 710px) 100vw, 710px\" \/><\/figure>\n\n\n\n<div class=\"wp-block-group is-layout-constrained wp-container-core-group-is-layout-ee2332cf wp-block-group-is-layout-constrained\">\n<p class=\"has-ast-global-color-1-color has-text-color has-link-color wp-elements-4 wp-block-paragraph\" style=\"font-size:12px;text-transform:uppercase\">Living, UK, 2022, Filmset<br>\u00a9 Sony Pictures<\/p>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:35px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Tags  <strong>\u2501\u2501\u2501\u2501<strong>\u2501<\/strong>\u2501<strong>\u2501\u2501\u2501<strong>\u2501<\/strong>\u2501<\/strong><\/strong><\/p>\n\n\n<div style=\"text-transform:uppercase\" class=\"taxonomy-post_tag wp-block-post-terms has-small-font-size\"><a href=\"https:\/\/arbeits-film-festival.at\/en\/tag\/akira-kurosawa\/\" rel=\"tag\">Akira Kurosawa<\/a><span class=\"wp-block-post-terms__separator\">, <\/span><a href=\"https:\/\/arbeits-film-festival.at\/en\/tag\/altruismus\/\" rel=\"tag\">Altruismus<\/a><span class=\"wp-block-post-terms__separator\">, <\/span><a href=\"https:\/\/arbeits-film-festival.at\/en\/tag\/bill-nighty\/\" rel=\"tag\">Bill Nighty<\/a><span class=\"wp-block-post-terms__separator\">, <\/span><a href=\"https:\/\/arbeits-film-festival.at\/en\/tag\/buerokratie\/\" rel=\"tag\">B\u00fcrokratie<\/a><span class=\"wp-block-post-terms__separator\">, <\/span><a href=\"https:\/\/arbeits-film-festival.at\/en\/tag\/prokrastenie\/\" rel=\"tag\">Prokrastenie<\/a><span class=\"wp-block-post-terms__separator\">, <\/span><a href=\"https:\/\/arbeits-film-festival.at\/en\/tag\/verantwortung\/\" rel=\"tag\">Verantwortung<\/a><\/div><\/div><\/div>\n\n<\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>\u201eLiving \u2013 einmal wirklich leben\u201c (2022) ist das britische Remake des Klassikers &#8222;Ikiru&#8220; von Akira Kurosawa von 1952. Der Film thematisiert ein zentrales Thema der Arbeitswelt: Verantwortung \u00fcbernehmen. Bill Nighy, vielleicht in der Rolle seines Lebens, Drehbuchautor Ishiguro und der Film an sich wurden f\u00fcr mehrere britische Filmpreise nominiert.<\/p>","protected":false},"author":1,"featured_media":2650,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"_rtcl_gb_attr":"","footnotes":""},"categories":[8],"tags":[61,63,62,64,65,66],"class_list":["post-2644","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-work-o-witch","tag-akira-kurosawa","tag-altruismus","tag-bill-nighty","tag-buerokratie","tag-prokrastenie","tag-verantwortung"],"uagb_featured_image_src":{"full":["https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/08\/MV5BOWNhYzE1ZmUtNDg0Zi00MjIxLWFkOWYtOTUyNDhmZjdkYzJmXkEyXkFqcGc@._V1_-e1788115724458.jpg",1322,770,false],"thumbnail":["https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/08\/MV5BOWNhYzE1ZmUtNDg0Zi00MjIxLWFkOWYtOTUyNDhmZjdkYzJmXkEyXkFqcGc@._V1_-e1788115724458-150x150.jpg",150,150,true],"medium":["https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/08\/MV5BOWNhYzE1ZmUtNDg0Zi00MjIxLWFkOWYtOTUyNDhmZjdkYzJmXkEyXkFqcGc@._V1_-e1788115724458-300x175.jpg",300,175,true],"medium_large":["https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/08\/MV5BOWNhYzE1ZmUtNDg0Zi00MjIxLWFkOWYtOTUyNDhmZjdkYzJmXkEyXkFqcGc@._V1_-e1788115724458-768x447.jpg",768,447,true],"large":["https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/08\/MV5BOWNhYzE1ZmUtNDg0Zi00MjIxLWFkOWYtOTUyNDhmZjdkYzJmXkEyXkFqcGc@._V1_-e1788115724458-1024x596.jpg",1024,596,true],"1536x1536":["https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/08\/MV5BOWNhYzE1ZmUtNDg0Zi00MjIxLWFkOWYtOTUyNDhmZjdkYzJmXkEyXkFqcGc@._V1_-e1788115708569-1536x742.jpg",1536,742,true],"2048x2048":["https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/08\/MV5BOWNhYzE1ZmUtNDg0Zi00MjIxLWFkOWYtOTUyNDhmZjdkYzJmXkEyXkFqcGc@._V1_-e1788115724458.jpg",1322,770,false],"trp-custom-language-flag":["https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/08\/MV5BOWNhYzE1ZmUtNDg0Zi00MjIxLWFkOWYtOTUyNDhmZjdkYzJmXkEyXkFqcGc@._V1_-e1788115724458-18x10.jpg",18,10,true],"rtcl-gallery":["https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/08\/MV5BOWNhYzE1ZmUtNDg0Zi00MjIxLWFkOWYtOTUyNDhmZjdkYzJmXkEyXkFqcGc@._V1_-e1788115724458-924x462.jpg",924,462,true],"rtcl-thumbnail":["https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/08\/MV5BOWNhYzE1ZmUtNDg0Zi00MjIxLWFkOWYtOTUyNDhmZjdkYzJmXkEyXkFqcGc@._V1_-e1788115724458-320x240.jpg",320,240,true],"rtcl-gallery-thumbnail":["https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/08\/MV5BOWNhYzE1ZmUtNDg0Zi00MjIxLWFkOWYtOTUyNDhmZjdkYzJmXkEyXkFqcGc@._V1_-e1788115724458-150x105.jpg",150,105,true],"mailpoet_newsletter_max":["https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/08\/MV5BOWNhYzE1ZmUtNDg0Zi00MjIxLWFkOWYtOTUyNDhmZjdkYzJmXkEyXkFqcGc@._V1_-e1788115724458-1320x769.jpg",1320,769,true]},"uagb_author_info":{"display_name":"administrador","author_link":"https:\/\/arbeits-film-festival.at\/en\/author\/admin\/"},"uagb_comment_info":0,"uagb_excerpt":"\u201eLiving \u2013 einmal wirklich leben\u201c (2022) ist das britische Remake des Klassikers \"Ikiru\" von Akira Kurosawa von 1952. Der Film thematisiert ein zentrales Thema der Arbeitswelt: Verantwortung \u00fcbernehmen. Bill Nighy, vielleicht in der Rolle seines Lebens, Drehbuchautor Ishiguro und der Film an sich wurden f\u00fcr mehrere britische Filmpreise nominiert.","_links":{"self":[{"href":"https:\/\/arbeits-film-festival.at\/en\/wp-json\/wp\/v2\/posts\/2644","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/arbeits-film-festival.at\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/arbeits-film-festival.at\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/arbeits-film-festival.at\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/arbeits-film-festival.at\/en\/wp-json\/wp\/v2\/comments?post=2644"}],"version-history":[{"count":3,"href":"https:\/\/arbeits-film-festival.at\/en\/wp-json\/wp\/v2\/posts\/2644\/revisions"}],"predecessor-version":[{"id":2652,"href":"https:\/\/arbeits-film-festival.at\/en\/wp-json\/wp\/v2\/posts\/2644\/revisions\/2652"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/arbeits-film-festival.at\/en\/wp-json\/wp\/v2\/media\/2650"}],"wp:attachment":[{"href":"https:\/\/arbeits-film-festival.at\/en\/wp-json\/wp\/v2\/media?parent=2644"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/arbeits-film-festival.at\/en\/wp-json\/wp\/v2\/categories?post=2644"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/arbeits-film-festival.at\/en\/wp-json\/wp\/v2\/tags?post=2644"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}