{"id":2654,"date":"2021-11-08T20:51:00","date_gmt":"2021-11-08T19:51:00","guid":{"rendered":"https:\/\/arbeits-film-festival.at\/?p=2654"},"modified":"2026-10-16T20:45:35","modified_gmt":"2026-10-16T18:45:35","slug":"un-verantwortliche-arbeit-fuer-uns-2","status":"publish","type":"post","link":"https:\/\/arbeits-film-festival.at\/en\/2021\/11\/08\/un-verantwortliche-arbeit-fuer-uns-2\/","title":{"rendered":"Erwin and Elvira, the butcher"},"content":{"rendered":"<style>.kb-row-layout-wrap.wp-block-kadence-rowlayout.kb-row-layout-id2654_fa7137-37{margin-top:0px;margin-bottom:0px;}.kb-row-layout-id2654_fa7137-37 > .kt-row-column-wrap{align-content:center;}:where(.kb-row-layout-id2654_fa7137-37 > .kt-row-column-wrap) > .wp-block-kadence-column{justify-content:center;}.kb-row-layout-id2654_fa7137-37 > .kt-row-column-wrap{column-gap:var(--global-kb-gap-none, 0rem );row-gap:var(--global-kb-gap-md, 2rem);max-width:var(--wp--style--global--content-size);padding-top:var(--global-kb-spacing-xl, 4rem);padding-right:0px;padding-bottom:0px;min-height:852px;grid-template-columns:minmax(0, 2fr) minmax(0, 1fr);}.kb-row-layout-id2654_fa7137-37{--breakout-negative-margin-right:calc( ( ( ( var(--global-vw, 100vw) - ( var(--wp--style--global--content-size) - ( 0px*2 ) ) ) \/ 2 ) *-1) + -1px);--breakout-negative-margin-left:calc( ( ( ( var(--global-vw, 100vw) - ( var(--wp--style--global--content-size) - ( 0px*2 ) ) ) \/ 2 ) *-1) + -1px);}.kb-row-layout-id2654_fa7137-37{background-color:rgba(17,17,17,0);}.kb-row-layout-id2654_fa7137-37 > .kt-row-layout-overlay{opacity:0.30;}.kb-row-layout-id2654_fa7137-37{z-index:906;position:relative;}@media all and (min-width: 1025px){.kb-row-layout-id2654_fa7137-37 > .kt-row-column-wrap > .wp-block-kadence-column:nth-child(1 of *:not(style)){margin-inline-start:calc( 0px *-1 );margin-inline-start:var(--breakout-negative-margin-left);}.kb-row-layout-id2654_fa7137-37 > .kt-row-column-wrap > .wp-block-kadence-column:nth-child(2 of 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class=\"kt-row-column-wrap kt-has-2-columns kt-row-layout-left-golden kt-tab-layout-left-golden kt-mobile-layout-row kt-row-valign-middle kt-inner-column-height-full kb-theme-content-width\">\n<style>.kadence-column2654_d051ff-e6 > .kt-inside-inner-col{display:flex;}.kadence-column2654_d051ff-e6 > .kt-inside-inner-col{min-height:600px;}.kadence-column2654_d051ff-e6 > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column2654_d051ff-e6 > .kt-inside-inner-col{flex-direction:column-reverse;justify-content:flex-start;}.kadence-column2654_d051ff-e6 > .kt-inside-inner-col > .aligncenter{width:100%;}.kt-row-column-wrap > .kadence-column2654_d051ff-e6{align-self:flex-start;}.kt-inner-column-height-full:not(.kt-has-1-columns) > .wp-block-kadence-column.kadence-column2654_d051ff-e6{align-self:auto;}.kt-inner-column-height-full:not(.kt-has-1-columns) > .wp-block-kadence-column.kadence-column2654_d051ff-e6 > .kt-inside-inner-col{flex-direction:column;justify-content:flex-start;}.kadence-column2654_d051ff-e6 > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column2654_d051ff-e6{position:relative;}@media all and (max-width: 1024px){.kt-row-column-wrap > .kadence-column2654_d051ff-e6{align-self:flex-start;}}@media all and (max-width: 1024px){.kt-inner-column-height-full:not(.kt-has-1-columns) > .wp-block-kadence-column.kadence-column2654_d051ff-e6{align-self:auto;}}@media all and (max-width: 1024px){.kt-inner-column-height-full:not(.kt-has-1-columns) > .wp-block-kadence-column.kadence-column2654_d051ff-e6 > .kt-inside-inner-col{flex-direction:column;justify-content:flex-start;}}@media all and (max-width: 1024px){.kadence-column2654_d051ff-e6 > .kt-inside-inner-col{flex-direction:column-reverse;justify-content:flex-start;}}@media all and (max-width: 1024px){.kadence-column2654_d051ff-e6, .kt-inside-inner-col > .kadence-column2654_d051ff-e6:not(.specificity){margin-left:-25%;}}@media all and (max-width: 767px){.kadence-column2654_d051ff-e6 > .kt-inside-inner-col{min-height:300px;flex-direction:column-reverse;justify-content:flex-start;}.kt-row-column-wrap > .kadence-column2654_d051ff-e6{align-self:flex-start;}.kt-inner-column-height-full:not(.kt-has-1-columns) > .wp-block-kadence-column.kadence-column2654_d051ff-e6{align-self:auto;}.kt-inner-column-height-full:not(.kt-has-1-columns) > .wp-block-kadence-column.kadence-column2654_d051ff-e6 > .kt-inside-inner-col{flex-direction:column;justify-content:flex-start;}.kadence-column2654_d051ff-e6, .kt-inside-inner-col > .kadence-column2654_d051ff-e6:not(.specificity){margin-top:0%;margin-right:0%;margin-bottom:0%;margin-left:0%;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column2654_d051ff-e6 kb-section-dir-vertical-reverse inner-column-1\"><div class=\"kt-inside-inner-col\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1996\" height=\"869\" src=\"https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2021\/11\/13-Titelbild-768x432-1.png\" alt=\"\" class=\"wp-image-3202\" srcset=\"https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2021\/11\/13-Titelbild-768x432-1.png 1996w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2021\/11\/13-Titelbild-768x432-1-300x131.png 300w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2021\/11\/13-Titelbild-768x432-1-18x8.png 18w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2021\/11\/13-Titelbild-768x432-1-767x334.png 767w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2021\/11\/13-Titelbild-768x432-1-1024x446.png 1024w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2021\/11\/13-Titelbild-768x432-1-1318x574.png 1318w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2021\/11\/13-Titelbild-768x432-1-1536x669.png 1536w\" sizes=\"auto, (max-width: 1996px) 100vw, 1996px\" \/><\/figure>\n\n\n\n<div class=\"wp-block-group padding-mobile is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-group is-vertical is-layout-flex wp-container-core-group-is-layout-2c90304e wp-block-group-is-layout-flex\">\n<p class=\"titulo-mobile has-x-large-font-size wp-block-paragraph\" style=\"padding-top:0;padding-bottom:0;line-height:1.2;text-transform:uppercase\"><strong>Erwin and Elvira, the butcher<\/strong><\/p>\n\n\n\n<p class=\"film-ortdatauhr sub-mobile has-text-color wp-block-paragraph\" style=\"color:#000000;margin-top:0;margin-bottom:0;font-size:20px;font-style:normal;font-weight:700;letter-spacing:0px;line-height:1.2;text-decoration:none;text-transform:uppercase\">J\u00f6rg Markowitsch \u2014 08.11.2021<\/p>\n<\/div>\n\n\n\n<div style=\"height:12px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"text-transform:none\"><strong>Fassbinder&#8217;s outstanding melodrama &#8222;In a Year of 13 Moons&#8220; (1978) is a consistently topical contribution to today&#8217;s identity politics debate and a forceful exclamation mark for anti-stereotypical professions.<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">In my youth at the cinema, Rainer Werner Fassbinder was a must-see. You had to like his films, otherwise you \u201cdidn\u2019t understand anything about film\u201d. I found them good, but also exhausting. His first films, \u201cLove is Colder Than Death\u201d or \u201cKatzelmacher\u201d (both 1969) were far too contrived for me. In his final film, \u201cQuerelle\u201d (1982), I was even more disappointed by the theatrical staging. After all, Jean Genet was one of my heroes at the time. \u201d World on a Wire\u201d (1973) and \u201cBerlin Alexanderplatz\u201d (1980) I will never be able to un-anachronistically appreciate the visionary and the genius of these early mini-series.<br><br>\u201cIn a Year of 13 Moons\u201d (1978), however, it left me, in my mid-twenties, completely paralysed in the cinema, the former Star Kino in Vienna. The film takes on social tensions in a radical way that are still relevant today: Gender identity and discrimination, Catholicism and suicide, bourgeoisie and working class, upper and underworlds, regulated and unregulated everyday life, respectable and less respectable professions, and of course love and violence.<br><br>\u201cIn a Year of 13 Moons\u201d shows the last days in the life of Elvira or Erwin Weishaupt (my applause still goes to Volker Spengler). The main theme becomes clear already from the opening credits: Elvira is lonely, she is seeking out a \u2018John\u2019 in the alleyways of Frankfurt and is beaten up by one and a group of like-minded individuals upon discovering her gender. Dragging herself home (pun unintended), the humiliation, degradation and beatings continue relentlessly, this time on the part of her partner, who was in the process of packing his&nbsp;bags.<br><br>She is finally helped and comforted by Zora (Ingrid Caven), a sex-worker, to whom she tells her life story while receiving first aid: \u201cI was a butcher\u2026 that\u2019s what I learned\u2026 that\u2019s my profession\u201d. Despite a recent attempt at re-employment in the same profession, where she was met only with contempt, Elvira enthusiastically extols her former occupation. \u201cCome I\u2019ll show you!\u201d she suggests, cut to Elvira and Zora entering a slaughterhouse. How this scene unfolds, the interplay of images, dialogue and music, still ranks high on my list of top film scenes, far above of the one of waking up with a horse\u2019s head in bed. Richard Linklater, also a declared fan of the film, explicitly warns viewers about this scene (see interview).<br><br>Precise, almost documentary-like slaughterhouse images are accompanied by music and Elvira\u2019s monologue. While blood gushes from the cows twitching in their death throes, Elvira\u2019s off-screen voice provides a strange mix, once screeching and reciting Goethe\u2019s Torquato Tasso, then calmly telling her story. It goes something like this: Given away by her mother, raised by nuns in an orphanage, would have liked to have learned goldsmithing, couldn\u2019t find an apprenticeship, being a butcher was easier, married the butcher\u2019s daughter, a child, an operation in Casablanca for love of a man who wants nothing to do with love, prostitution, alcohol, and depression.<br><br>The scene is a twofold indictment. On the one hand, there is this hypocrisy, the social dissonance of eating meat and the repression of animal slaughter. On the other, the shocking reckoning with the professional stereotype of the crude and brutal butcher. It challenges the fragility of our certainties. We don\u2019t want to believe that this lonely, vulnerable and poetic transsexual was and wants to be again a butcher. And yet it is&nbsp;so.<br><br>On Tik Tok there is a channel on which \u2014 primarily young people \u2014 first pose in their private and leisure lives in order to show themselves on this in their profession or professional clothing. I like to imagine Elvira taking part in this and wonder what setting she would have chosen for&nbsp;it.<br><br>PS: After 1978, the year 1992 was one with this particular Fassbinder lunar constellation. 2027 will be another one.<\/p>\n\n\n\n<div style=\"height:32px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n<\/div>\n<\/div><\/div>\n\n\n<style>.kadence-column2654_52d5af-27 > .kt-inside-inner-col{display:flex;}.kadence-column2654_52d5af-27 > .kt-inside-inner-col{padding-right:var(--global-kb-spacing-md, 2rem);padding-bottom:var(--global-kb-spacing-lg, 3rem);padding-left:var(--global-kb-spacing-3xl, 6.5rem);}.kadence-column2654_52d5af-27 > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column2654_52d5af-27 > .kt-inside-inner-col{flex-direction:column;justify-content:flex-start;}.kadence-column2654_52d5af-27 > .kt-inside-inner-col > .aligncenter{width:100%;}.kt-row-column-wrap > .kadence-column2654_52d5af-27{align-self:flex-start;}.kt-inner-column-height-full:not(.kt-has-1-columns) > .wp-block-kadence-column.kadence-column2654_52d5af-27{align-self:auto;}.kt-inner-column-height-full:not(.kt-has-1-columns) > .wp-block-kadence-column.kadence-column2654_52d5af-27 > .kt-inside-inner-col{flex-direction:column;justify-content:flex-start;}.kadence-column2654_52d5af-27 > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column2654_52d5af-27{position:relative;}@media all and (max-width: 1024px){.kadence-column2654_52d5af-27 > .kt-inside-inner-col{padding-left:var(--global-kb-spacing-md, 2rem);flex-direction:column;justify-content:flex-start;}}@media all and (max-width: 1024px){.kt-row-column-wrap > .kadence-column2654_52d5af-27{align-self:flex-start;}}@media all and (max-width: 1024px){.kt-inner-column-height-full:not(.kt-has-1-columns) > .wp-block-kadence-column.kadence-column2654_52d5af-27{align-self:auto;}}@media all and (max-width: 1024px){.kt-inner-column-height-full:not(.kt-has-1-columns) > .wp-block-kadence-column.kadence-column2654_52d5af-27 > .kt-inside-inner-col{flex-direction:column;justify-content:flex-start;}}@media all and (max-width: 767px){.kadence-column2654_52d5af-27 > .kt-inside-inner-col{padding-right:var(--global-kb-spacing-sm, 1.5rem);padding-left:var(--global-kb-spacing-sm, 1.5rem);flex-direction:column;justify-content:flex-start;}.kt-row-column-wrap > .kadence-column2654_52d5af-27{align-self:flex-start;}.kt-inner-column-height-full:not(.kt-has-1-columns) > .wp-block-kadence-column.kadence-column2654_52d5af-27{align-self:auto;}.kt-inner-column-height-full:not(.kt-has-1-columns) > .wp-block-kadence-column.kadence-column2654_52d5af-27 > .kt-inside-inner-col{flex-direction:column;justify-content:flex-start;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column2654_52d5af-27 kb-section-dir-vertical inner-column-2\"><div class=\"kt-inside-inner-col\">\n<div style=\"height:450px\" aria-hidden=\"true\" class=\"wp-block-spacer wp-block-hidden-mobile\"><\/div>\n\n\n\n<div class=\"wp-block-group is-layout-constrained wp-container-core-group-is-layout-ee2332cf wp-block-group-is-layout-constrained\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\" style=\"margin-top:0;margin-bottom:0\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"IN EINEM JAHR MIT 13 MONDEN | Trailer \/ Deutsch | Rainer Werner Fassbinder | ARTHAUS\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/ksJWxr_ScDY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"margin-top:var(--wp--preset--spacing--30);font-size:12px;text-transform:uppercase\">In A Year of 13 Moons, Rainer Werner Fassbinder, 1978, Trailer \/ German<\/p>\n<\/div>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-group is-layout-constrained wp-container-core-group-is-layout-ee2332cf wp-block-group-is-layout-constrained\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\" style=\"margin-top:0;margin-bottom:0\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Richard Linklater on In A Year With 13 Moons by Rainer Werner Fassbinder\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/gq7kKLrSEz0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"margin-top:var(--wp--preset--spacing--30);font-size:12px;text-transform:uppercase\">Richard Linklater on In A Year of 13 Moons by Rainer Werner Fassbinder, 2016<\/p>\n<\/div>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-group is-layout-constrained wp-container-core-group-is-layout-9790f0ff wp-block-group-is-layout-constrained\">\n<figure class=\"wp-block-image size-full\" style=\"margin-top:0;margin-bottom:0\"><img loading=\"lazy\" decoding=\"async\" width=\"1280\" height=\"720\" src=\"https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/08\/13-Titelbild.jpg\" alt=\"\" class=\"wp-image-3017\" srcset=\"https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/08\/13-Titelbild.jpg 1280w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/08\/13-Titelbild-300x169.jpg 300w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/08\/13-Titelbild-768x432.jpg 768w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/08\/13-Titelbild-1024x576.jpg 1024w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/08\/13-Titelbild-18x10.jpg 18w\" sizes=\"auto, (max-width: 1280px) 100vw, 1280px\" \/><\/figure>\n\n\n\n<div class=\"wp-block-group is-layout-constrained wp-container-core-group-is-layout-ee2332cf wp-block-group-is-layout-constrained\">\n<p class=\"has-ast-global-color-1-color has-text-color has-link-color wp-elements-1 wp-block-paragraph\" style=\"font-size:12px;text-transform:uppercase\">In A Year of 13 Moons, 1978, Filmstill<br>\u00a9 Tango Film \/ Fassbinder<\/p>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-group is-layout-constrained wp-container-core-group-is-layout-9790f0ff wp-block-group-is-layout-constrained\">\n<figure class=\"wp-block-image size-full\" style=\"margin-top:0;margin-bottom:0\"><img loading=\"lazy\" decoding=\"async\" width=\"1280\" height=\"766\" src=\"https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/08\/13-Schlachthaus-gr.jpg\" alt=\"\" class=\"wp-image-3018\" srcset=\"https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/08\/13-Schlachthaus-gr.jpg 1280w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/08\/13-Schlachthaus-gr-300x180.jpg 300w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/08\/13-Schlachthaus-gr-767x459.jpg 767w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/08\/13-Schlachthaus-gr-1024x613.jpg 1024w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/08\/13-Schlachthaus-gr-18x11.jpg 18w\" sizes=\"auto, (max-width: 1280px) 100vw, 1280px\" \/><\/figure>\n\n\n\n<div class=\"wp-block-group is-layout-constrained wp-container-core-group-is-layout-ee2332cf wp-block-group-is-layout-constrained\">\n<p class=\"has-ast-global-color-1-color has-text-color has-link-color wp-elements-2 wp-block-paragraph\" style=\"font-size:12px;text-transform:uppercase\">In A Year of 13 Moons, 1978, Filmstill<br>\u00a9 Tango Film \/ Fassbinder<\/p>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-group is-layout-constrained wp-container-core-group-is-layout-9790f0ff wp-block-group-is-layout-constrained\">\n<figure class=\"wp-block-image size-full\" style=\"margin-top:0;margin-bottom:0\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"282\" src=\"https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/08\/13-In-der-Toilette.jpg\" alt=\"\" class=\"wp-image-3019\" srcset=\"https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/08\/13-In-der-Toilette.jpg 500w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/08\/13-In-der-Toilette-300x169.jpg 300w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/08\/13-In-der-Toilette-18x10.jpg 18w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/figure>\n\n\n\n<div class=\"wp-block-group is-layout-constrained wp-container-core-group-is-layout-ee2332cf wp-block-group-is-layout-constrained\">\n<p class=\"has-ast-global-color-1-color has-text-color has-link-color wp-elements-3 wp-block-paragraph\" style=\"font-size:12px;text-transform:uppercase\">In A Year of 13 Moons, 1978, Filmstill<br>\u00a9 Tango Film \/ Fassbinder<\/p>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-group is-layout-constrained wp-container-core-group-is-layout-9790f0ff wp-block-group-is-layout-constrained\">\n<figure class=\"wp-block-image size-full\" style=\"margin-top:0;margin-bottom:0\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"282\" src=\"https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/08\/13-Auf-der-Strase.jpg\" alt=\"\" class=\"wp-image-3020\" srcset=\"https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/08\/13-Auf-der-Strase.jpg 500w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/08\/13-Auf-der-Strase-300x169.jpg 300w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/08\/13-Auf-der-Strase-18x10.jpg 18w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/figure>\n\n\n\n<div class=\"wp-block-group is-layout-constrained wp-container-core-group-is-layout-ee2332cf wp-block-group-is-layout-constrained\">\n<p class=\"has-ast-global-color-1-color has-text-color has-link-color wp-elements-4 wp-block-paragraph\" style=\"font-size:12px;text-transform:uppercase\">In A Year of 13 Moons, 1978, Filmstill<br>\u00a9 Tango Film \/ Fassbinder<\/p>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-group is-layout-constrained wp-container-core-group-is-layout-9790f0ff wp-block-group-is-layout-constrained\">\n<figure class=\"wp-block-image size-full\" style=\"margin-top:0;margin-bottom:0\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"282\" src=\"https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/08\/13-im-Kloster.jpg\" alt=\"\" class=\"wp-image-3021\" srcset=\"https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/08\/13-im-Kloster.jpg 500w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/08\/13-im-Kloster-300x169.jpg 300w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/08\/13-im-Kloster-18x10.jpg 18w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/figure>\n\n\n\n<div class=\"wp-block-group is-layout-constrained wp-container-core-group-is-layout-ee2332cf wp-block-group-is-layout-constrained\">\n<p class=\"has-ast-global-color-1-color has-text-color has-link-color wp-elements-5 wp-block-paragraph\" style=\"font-size:12px;text-transform:uppercase\">In A Year of 13 Moons, 1978, Filmstill<br>\u00a9 Tango Film \/ Fassbinder<\/p>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-group is-layout-constrained wp-container-core-group-is-layout-9790f0ff wp-block-group-is-layout-constrained\">\n<figure class=\"wp-block-image size-full\" style=\"margin-top:0;margin-bottom:0\"><img loading=\"lazy\" decoding=\"async\" width=\"557\" height=\"367\" src=\"https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/08\/001photo.jpg\" alt=\"\" class=\"wp-image-3022\" srcset=\"https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/08\/001photo.jpg 557w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/08\/001photo-300x198.jpg 300w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/08\/001photo-18x12.jpg 18w\" sizes=\"auto, (max-width: 557px) 100vw, 557px\" \/><\/figure>\n\n\n\n<div class=\"wp-block-group is-layout-constrained wp-container-core-group-is-layout-ee2332cf wp-block-group-is-layout-constrained\">\n<p class=\"has-ast-global-color-1-color has-text-color has-link-color wp-elements-6 wp-block-paragraph\" style=\"font-size:12px;text-transform:uppercase\">In A Year of 13 Moons, 1978, Filmstill<br>\u00a9 Tango Film \/ Fassbinder<\/p>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:48px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Tags  <strong>\u2501\u2501\u2501\u2501<strong>\u2501<\/strong>\u2501<strong>\u2501\u2501\u2501<strong>\u2501<\/strong>\u2501<\/strong><\/strong><\/p>\n\n\n<div style=\"text-transform:uppercase\" class=\"taxonomy-post_tag wp-block-post-terms has-small-font-size\"><a href=\"https:\/\/arbeits-film-festival.at\/en\/tag\/anti-stereotypical-professions\/\" rel=\"tag\">Anti-stereotypical professions<\/a><span class=\"wp-block-post-terms__separator\">, <\/span><a href=\"https:\/\/arbeits-film-festival.at\/en\/tag\/butcher\/\" rel=\"tag\">butcher<\/a><span class=\"wp-block-post-terms__separator\">, <\/span><a href=\"https:\/\/arbeits-film-festival.at\/en\/tag\/identity-politics\/\" rel=\"tag\">identity politics<\/a><span class=\"wp-block-post-terms__separator\">, <\/span><a href=\"https:\/\/arbeits-film-festival.at\/en\/tag\/rainer-werner-fassbinder\/\" rel=\"tag\">Rainer Werner Fassbinder<\/a><span class=\"wp-block-post-terms__separator\">, <\/span><a href=\"https:\/\/arbeits-film-festival.at\/en\/tag\/richard-linklater\/\" rel=\"tag\">Richard Linklater<\/a><span class=\"wp-block-post-terms__separator\">, <\/span><a href=\"https:\/\/arbeits-film-festival.at\/en\/tag\/transsexuality\/\" rel=\"tag\">transsexuality<\/a><\/div><\/div><\/div>\n\n<\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>Fassbinder&#8217;s outstanding melodrama &#8222;In a Year of 13 Moons&#8220; (1978) is a consistently topical contribution to today&#8217;s identity politics debate and a forceful exclamation mark for anti-stereotypical professions.<\/p>","protected":false},"author":1,"featured_media":3017,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center 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outstanding melodrama \"In a Year of 13 Moons\" (1978) is a consistently topical contribution to today's identity politics debate and a forceful exclamation mark for anti-stereotypical professions.","_links":{"self":[{"href":"https:\/\/arbeits-film-festival.at\/en\/wp-json\/wp\/v2\/posts\/2654","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/arbeits-film-festival.at\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/arbeits-film-festival.at\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/arbeits-film-festival.at\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/arbeits-film-festival.at\/en\/wp-json\/wp\/v2\/comments?post=2654"}],"version-history":[{"count":40,"href":"https:\/\/arbeits-film-festival.at\/en\/wp-json\/wp\/v2\/posts\/2654\/revisions"}],"predecessor-version":[{"id":3203,"href":"https:\/\/arbeits-film-festival.at\/en\/wp-json\/wp\/v2\/posts\/2654\/revisions\/3203"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/arbeits-film-festival.at\/en\/wp-json\/wp\/v2\/media\/3017"}],"wp:attachment":[{"href":"https:\/\/arbeits-film-festival.at\/en\/wp-json\/wp\/v2\/media?parent=2654"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/arbeits-film-festival.at\/en\/wp-json\/wp\/v2\/categories?post=2654"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/arbeits-film-festival.at\/en\/wp-json\/wp\/v2\/tags?post=2654"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}