{"id":2770,"date":"2026-09-08T20:49:07","date_gmt":"2026-09-08T18:49:07","guid":{"rendered":"https:\/\/arbeits-film-festival.at\/?p=2770"},"modified":"2026-09-08T20:52:21","modified_gmt":"2026-09-08T18:52:21","slug":"night-mail-der-poetische-blick","status":"publish","type":"post","link":"https:\/\/arbeits-film-festival.at\/en\/2026\/09\/08\/night-mail-der-poetische-blick\/","title":{"rendered":"Night Mail \u2013 Der poetische Blick"},"content":{"rendered":"<style>.kb-row-layout-wrap.wp-block-kadence-rowlayout.kb-row-layout-id2770_d177dc-76{margin-top:0px;margin-bottom:0px;}.kb-row-layout-id2770_d177dc-76 > .kt-row-column-wrap{align-content:center;}:where(.kb-row-layout-id2770_d177dc-76 > .kt-row-column-wrap) > .wp-block-kadence-column{justify-content:center;}.kb-row-layout-id2770_d177dc-76 > .kt-row-column-wrap{column-gap:var(--global-kb-gap-none, 0rem );row-gap:var(--global-kb-gap-md, 2rem);max-width:var(--wp--style--global--content-size);padding-top:var(--global-kb-spacing-xl, 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class=\"kt-row-column-wrap kt-has-2-columns kt-row-layout-left-golden kt-tab-layout-left-golden kt-mobile-layout-row kt-row-valign-middle kt-inner-column-height-full kb-theme-content-width\">\n<style>.kadence-column2770_ac1b47-f4 > .kt-inside-inner-col{display:flex;}.kadence-column2770_ac1b47-f4 > .kt-inside-inner-col{min-height:600px;}.kadence-column2770_ac1b47-f4 > .kt-inside-inner-col,.kadence-column2770_ac1b47-f4 > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column2770_ac1b47-f4 > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column2770_ac1b47-f4 > .kt-inside-inner-col{flex-direction:column-reverse;justify-content:flex-start;}.kadence-column2770_ac1b47-f4 > .kt-inside-inner-col > .aligncenter{width:100%;}.kt-row-column-wrap > .kadence-column2770_ac1b47-f4{align-self:flex-start;}.kt-inner-column-height-full:not(.kt-has-1-columns) > .wp-block-kadence-column.kadence-column2770_ac1b47-f4{align-self:auto;}.kt-inner-column-height-full:not(.kt-has-1-columns) > .wp-block-kadence-column.kadence-column2770_ac1b47-f4 > .kt-inside-inner-col{flex-direction:column;justify-content:flex-start;}.kadence-column2770_ac1b47-f4 > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column2770_ac1b47-f4{position:relative;}@media all and (max-width: 1024px){.kt-row-column-wrap > .kadence-column2770_ac1b47-f4{align-self:flex-start;}}@media all and (max-width: 1024px){.kt-inner-column-height-full:not(.kt-has-1-columns) > .wp-block-kadence-column.kadence-column2770_ac1b47-f4{align-self:auto;}}@media all and (max-width: 1024px){.kt-inner-column-height-full:not(.kt-has-1-columns) > .wp-block-kadence-column.kadence-column2770_ac1b47-f4 > .kt-inside-inner-col{flex-direction:column;justify-content:flex-start;}}@media all and (max-width: 1024px){.kadence-column2770_ac1b47-f4 > .kt-inside-inner-col{flex-direction:column-reverse;justify-content:flex-start;}}@media all and (max-width: 1024px){.kadence-column2770_ac1b47-f4, .kt-inside-inner-col > .kadence-column2770_ac1b47-f4:not(.specificity){margin-left:-25%;}}@media all and (max-width: 767px){.kadence-column2770_ac1b47-f4 > .kt-inside-inner-col{min-height:300px;flex-direction:column-reverse;justify-content:flex-start;}.kt-row-column-wrap > .kadence-column2770_ac1b47-f4{align-self:flex-start;}.kt-inner-column-height-full:not(.kt-has-1-columns) > .wp-block-kadence-column.kadence-column2770_ac1b47-f4{align-self:auto;}.kt-inner-column-height-full:not(.kt-has-1-columns) > .wp-block-kadence-column.kadence-column2770_ac1b47-f4 > .kt-inside-inner-col{flex-direction:column;justify-content:flex-start;}.kadence-column2770_ac1b47-f4, .kt-inside-inner-col > .kadence-column2770_ac1b47-f4:not(.specificity){margin-top:0%;margin-right:0%;margin-bottom:0%;margin-left:0%;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column2770_ac1b47-f4 kb-section-dir-vertical-reverse inner-column-1\"><div class=\"kt-inside-inner-col\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"751\" height=\"422\" src=\"https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/09\/Screenshot-2026-09-08-204203-1-edited-1.png\" alt=\"\" class=\"wp-image-2773\" srcset=\"https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/09\/Screenshot-2026-09-08-204203-1-edited-1.png 751w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/09\/Screenshot-2026-09-08-204203-1-edited-1-300x169.png 300w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/09\/Screenshot-2026-09-08-204203-1-edited-1-18x10.png 18w\" sizes=\"auto, (max-width: 751px) 100vw, 751px\" \/><\/figure>\n\n\n\n<div class=\"wp-block-group is-vertical is-layout-flex wp-container-core-group-is-layout-2c90304e wp-block-group-is-layout-flex\">\n<p class=\"has-x-large-font-size wp-block-paragraph\" style=\"padding-top:0;padding-bottom:0;line-height:1.2;text-transform:uppercase\"><strong>Night Mail \u2013 Der poetische Blick<\/strong><\/p>\n\n\n\n<p class=\"film-ortdatauhr has-text-color wp-block-paragraph\" style=\"color:#000000;margin-top:0;margin-bottom:0;font-size:20px;font-style:normal;font-weight:700;letter-spacing:0px;line-height:1.2;text-decoration:none;text-transform:uppercase\">Konrad Wakolbinger \u2014 21.05.2023<\/p>\n<\/div>\n\n\n\n<div style=\"height:48px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"text-transform:none\"><strong>Als der bedeutende Filmwissenschaftler Amos Vogel 1938 aus Wien in die USA fliehen musste, hatte der 17-j\u00e4hrige bereits die Entscheidung getroffen, sein Leben dem Film zu widmen. Das Erlebenis, das sein Zukunft bestimmen sollte, war das Screening von &#8222;Night Mail&#8220; (1936) und dieser Film weiss auch heute noch zu beeindrucken.<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">In den 1930er Jahren musste die britische Post (General Post Office \u2014 GPO) sich abzeichnende Privatisierungsabsichten abwehren. Die der Post zugeh\u00f6rige GPO Film Unit erhielt den Auftrag eine Reihe von Filmen zu produzieren die, indem sie den Postdienst faszinierend darstellten, das \u00f6ffentliche Ansehen der Einrichtung st\u00e4rken und gleichzeitig die schlechte Moral der Belegschaft bek\u00e4mpfen sollten. Die Regisseure Harry Watt und Basil Wright wurde die Aufgabe \u00fcbertragen den wichtigsten Postzug, der die Route London-Glasgow-Edinburgh-Aberdeen bedient, zu portraitieren.<br><br>Montiert zur Musik von Benjamin Britten und einem Gedicht von W.D. Auden entfalten die s\/w Bilder der Reise des \u201cPostal Special\u201d von London nach Glasgow eine suggestive Wirkung.<br><br>Ein Schwenk \u00fcber eine d\u00fcstere schottische Landschaft, das Pfeifen des Windes wird von einem Beat \u00fcberlagert, im Tal erkennt man den charakteristischen weissen Rauch einer Dampflok, ein Voice-over im harten Takt der Kolben setzt\u00a0ein.<\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><em>This is the night mail crossing the Border,<br><\/em><em>Bringing the cheque and the postal order,<br><\/em><em>Letters for the rich, letters for the&nbsp;poor,<br><\/em><em>The shop at the corner, the girl next&nbsp;door.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Der Heizer f\u00fcttert das Feuer im Kessel mit Kohle, Schaufel um Schaufel. So arbeitet sich der Zug kraftvoll die Berge hinauf.<\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><em>In the farm she passes no one&nbsp;wakes,<br><\/em><em>But a jug in a bedroom gently shakes.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Als der Morgen anbricht ist der Aufstieg geschafft. Zu einem erhabenen Score \u00f6ffnet sich der Blick auf den sich erhellenden Himmel und der Lokf\u00fchrer wischt sich den Schweiss von der&nbsp;Stirn.<\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><em>Dawn frenshens, Her climb is&nbsp;done.<br><\/em><em>Down towards Glasgow she descends<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Im Stakkato der rasanten Talfahrt erfahren wir welche Vielfalt an Briefen, im Grunde die ganze F\u00fclle des Lebens, der Postzug an Bord&nbsp;hat.<\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><em>Letters of thanks, letters from&nbsp;banks,<br><\/em><em>Letters of joy from girl and&nbsp;boy,<br><\/em><em>Clever, stupid, short and&nbsp;long,<br><\/em><em>The typed and the printed and the spelt all&nbsp;wrong.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Es sind wohl diese, als eigenst\u00e4ndiger Film wahrnehmbaren, 3:14 am Ende des 23:23 min langen Dokumentarfilms, die \u201cNight Mail\u201d zu einem Meisterwerk machen.<br><br>Dass \u201cNight Mail\u201d kein profaner Imagefilm, sondern dieses Kunstwerk geworden ist, verdanken wir nicht zuletzt John Grierson, einem der Erz\u00e4hler im Film der das Ende der Rohschnittfassung kritisierte. Er monierte, dass die Bilder die \u201cMaschinerie\u201d der Postverteilung dokumentieren, aber die Menschen nicht zeigen welche die Briefe schreiben und empfangen. Daraufhin beschlossen die Filmemacher eben jene eine Sequenz mit einem zu Musik gesprochenen Gedicht zu kreieren.<br><br>Mit den ersten 20 Minuten des Films, der eben diese \u201cMaschinerie\u201d minuti\u00f6s zeigt, besch\u00e4ftige ich mich im zweiten Teil von \u201cNight Mail\u201d. Dieser Abschnitt ist konventioneller gestaltet, erm\u00f6glicht uns aber auch einen genauen Blick in die Arbeitswelt der 1930er Jahre.<\/p>\n<\/div><\/div>\n\n\n<style>.kadence-column2770_8e95df-54 > .kt-inside-inner-col{display:flex;}.kadence-column2770_8e95df-54 > .kt-inside-inner-col{padding-right:var(--global-kb-spacing-md, 2rem);padding-bottom:var(--global-kb-spacing-lg, 3rem);padding-left:var(--global-kb-spacing-3xl, 6.5rem);}.kadence-column2770_8e95df-54 > .kt-inside-inner-col,.kadence-column2770_8e95df-54 > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column2770_8e95df-54 > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column2770_8e95df-54 > .kt-inside-inner-col{flex-direction:column;justify-content:flex-start;}.kadence-column2770_8e95df-54 > .kt-inside-inner-col > .aligncenter{width:100%;}.kt-row-column-wrap > .kadence-column2770_8e95df-54{align-self:flex-start;}.kt-inner-column-height-full:not(.kt-has-1-columns) > .wp-block-kadence-column.kadence-column2770_8e95df-54{align-self:auto;}.kt-inner-column-height-full:not(.kt-has-1-columns) > .wp-block-kadence-column.kadence-column2770_8e95df-54 > .kt-inside-inner-col{flex-direction:column;justify-content:flex-start;}.kadence-column2770_8e95df-54 > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column2770_8e95df-54{position:relative;}@media all and (max-width: 1024px){.kadence-column2770_8e95df-54 > .kt-inside-inner-col{padding-left:var(--global-kb-spacing-md, 2rem);flex-direction:column;justify-content:flex-start;}}@media all and (max-width: 1024px){.kt-row-column-wrap > .kadence-column2770_8e95df-54{align-self:flex-start;}}@media all and (max-width: 1024px){.kt-inner-column-height-full:not(.kt-has-1-columns) > .wp-block-kadence-column.kadence-column2770_8e95df-54{align-self:auto;}}@media all and (max-width: 1024px){.kt-inner-column-height-full:not(.kt-has-1-columns) > .wp-block-kadence-column.kadence-column2770_8e95df-54 > .kt-inside-inner-col{flex-direction:column;justify-content:flex-start;}}@media all and (max-width: 767px){.kadence-column2770_8e95df-54 > .kt-inside-inner-col{padding-right:var(--global-kb-spacing-sm, 1.5rem);padding-left:var(--global-kb-spacing-sm, 1.5rem);flex-direction:column;justify-content:flex-start;}.kt-row-column-wrap > .kadence-column2770_8e95df-54{align-self:flex-start;}.kt-inner-column-height-full:not(.kt-has-1-columns) > .wp-block-kadence-column.kadence-column2770_8e95df-54{align-self:auto;}.kt-inner-column-height-full:not(.kt-has-1-columns) > .wp-block-kadence-column.kadence-column2770_8e95df-54 > .kt-inside-inner-col{flex-direction:column;justify-content:flex-start;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column2770_8e95df-54 kb-section-dir-vertical inner-column-2\"><div class=\"kt-inside-inner-col\">\n<div style=\"height:500px\" aria-hidden=\"true\" class=\"wp-block-spacer wp-block-hidden-mobile\"><\/div>\n\n\n\n<div class=\"wp-block-group is-layout-constrained wp-container-core-group-is-layout-ee2332cf wp-block-group-is-layout-constrained\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\" style=\"margin-top:0;margin-bottom:0\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"responsive-container\"><iframe loading=\"lazy\" title=\"Night Mail by W H Auden  720p (1936)\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/-EZxJ9Bkoeg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"margin-top:var(--wp--preset--spacing--30);font-size:12px;text-transform:uppercase\">Night Mail by W H Auden<\/p>\n<\/div>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-group is-layout-constrained wp-container-core-group-is-layout-ee2332cf wp-block-group-is-layout-constrained\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"751\" height=\"452\" src=\"https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/09\/Screenshot-2026-09-08-204203-1-edited.png\" alt=\"\" class=\"wp-image-2772\" srcset=\"https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/09\/Screenshot-2026-09-08-204203-1-edited.png 751w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/09\/Screenshot-2026-09-08-204203-1-edited-300x181.png 300w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/09\/Screenshot-2026-09-08-204203-1-edited-18x12.png 18w\" sizes=\"auto, (max-width: 751px) 100vw, 751px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"margin-top:var(--wp--preset--spacing--30);font-size:12px;text-transform:uppercase\">Publicity poster for the documentary film &#8222;Night Mail&#8220;<br>\u00a9 artwork by Pat Keely&#8220;<\/p>\n<\/div>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div style=\"height:35px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Tags  <strong>\u2501\u2501\u2501\u2501<strong>\u2501<\/strong>\u2501<strong>\u2501\u2501\u2501<strong>\u2501<\/strong>\u2501<\/strong><\/strong><\/p>\n\n\n<div style=\"text-transform:uppercase\" class=\"taxonomy-post_tag wp-block-post-terms has-small-font-size\"><a href=\"https:\/\/arbeits-film-festival.at\/en\/tag\/benjamin-britten\/\" rel=\"tag\">Benjamin Britten<\/a><span class=\"wp-block-post-terms__separator\">, <\/span><a href=\"https:\/\/arbeits-film-festival.at\/en\/tag\/night-mail\/\" rel=\"tag\">Night Mail<\/a><span class=\"wp-block-post-terms__separator\">, <\/span><a href=\"https:\/\/arbeits-film-festival.at\/en\/tag\/postzug\/\" rel=\"tag\">Postzug<\/a><span class=\"wp-block-post-terms__separator\">, <\/span><a href=\"https:\/\/arbeits-film-festival.at\/en\/tag\/w-d-auden\/\" rel=\"tag\">W.D. Auden<\/a><\/div><\/div><\/div>\n\n<\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>Als der bedeutende Filmwissenschaftler Amos Vogel 1938 aus Wien in die USA fliehen musste, hatte der 17-j\u00e4hrige bereits die Entscheidung getroffen, sein Leben dem Film zu widmen. Das Erlebenis, das sein Zukunft bestimmen sollte, war das Screening von &#8222;Night Mail&#8220; (1936) und dieser Film weiss auch heute noch zu beeindrucken.<\/p>","protected":false},"author":1,"featured_media":2773,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center 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