{"id":3038,"date":"2020-11-27T20:34:00","date_gmt":"2020-11-27T19:34:00","guid":{"rendered":"https:\/\/arbeits-film-festival.at\/?p=3038"},"modified":"2026-10-16T21:21:09","modified_gmt":"2026-10-16T19:21:09","slug":"gesellschaft-ohne-anschluss","status":"publish","type":"post","link":"https:\/\/arbeits-film-festival.at\/en\/2020\/11\/27\/gesellschaft-ohne-anschluss\/","title":{"rendered":"Society without connection"},"content":{"rendered":"<style>.kb-row-layout-wrap.wp-block-kadence-rowlayout.kb-row-layout-id3038_1c3e31-76{margin-top:0px;margin-bottom:0px;}.kb-row-layout-id3038_1c3e31-76 > .kt-row-column-wrap{align-content:center;}:where(.kb-row-layout-id3038_1c3e31-76 > .kt-row-column-wrap) > .wp-block-kadence-column{justify-content:center;}.kb-row-layout-id3038_1c3e31-76 > .kt-row-column-wrap{column-gap:var(--global-kb-gap-none, 0rem );row-gap:var(--global-kb-gap-md, 2rem);max-width:var(--wp--style--global--content-size);padding-top:var(--global-kb-spacing-xl, 4rem);padding-right:0px;padding-bottom:0px;min-height:852px;grid-template-columns:minmax(0, 2fr) minmax(0, 1fr);}.kb-row-layout-id3038_1c3e31-76{--breakout-negative-margin-right:calc( ( ( ( var(--global-vw, 100vw) - ( var(--wp--style--global--content-size) - ( 0px*2 ) ) ) \/ 2 ) *-1) + -1px);--breakout-negative-margin-left:calc( ( ( ( var(--global-vw, 100vw) - ( var(--wp--style--global--content-size) - ( 0px*2 ) ) ) \/ 2 ) *-1) + -1px);}.kb-row-layout-id3038_1c3e31-76{background-color:rgba(17,17,17,0);}.kb-row-layout-id3038_1c3e31-76 > .kt-row-layout-overlay{opacity:0.30;}.kb-row-layout-id3038_1c3e31-76{z-index:906;position:relative;}@media all and (min-width: 1025px){.kb-row-layout-id3038_1c3e31-76 > .kt-row-column-wrap > .wp-block-kadence-column:nth-child(1 of *:not(style)){margin-inline-start:calc( 0px *-1 );margin-inline-start:var(--breakout-negative-margin-left);}.kb-row-layout-id3038_1c3e31-76 > .kt-row-column-wrap > .wp-block-kadence-column:nth-child(2 of 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class=\"kt-row-column-wrap kt-has-2-columns kt-row-layout-left-golden kt-tab-layout-left-golden kt-mobile-layout-row kt-row-valign-middle kt-inner-column-height-full kb-theme-content-width\">\n<style>.kadence-column3038_bea64e-fc > .kt-inside-inner-col{display:flex;}.kadence-column3038_bea64e-fc > .kt-inside-inner-col{min-height:600px;}.kadence-column3038_bea64e-fc > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column3038_bea64e-fc > .kt-inside-inner-col{flex-direction:column-reverse;justify-content:flex-start;}.kadence-column3038_bea64e-fc > .kt-inside-inner-col > .aligncenter{width:100%;}.kt-row-column-wrap > .kadence-column3038_bea64e-fc{align-self:flex-start;}.kt-inner-column-height-full:not(.kt-has-1-columns) > .wp-block-kadence-column.kadence-column3038_bea64e-fc{align-self:auto;}.kt-inner-column-height-full:not(.kt-has-1-columns) > .wp-block-kadence-column.kadence-column3038_bea64e-fc > .kt-inside-inner-col{flex-direction:column;justify-content:flex-start;}.kadence-column3038_bea64e-fc > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column3038_bea64e-fc{position:relative;}@media all and (max-width: 1024px){.kt-row-column-wrap > .kadence-column3038_bea64e-fc{align-self:flex-start;}}@media all and (max-width: 1024px){.kt-inner-column-height-full:not(.kt-has-1-columns) > .wp-block-kadence-column.kadence-column3038_bea64e-fc{align-self:auto;}}@media all and (max-width: 1024px){.kt-inner-column-height-full:not(.kt-has-1-columns) > .wp-block-kadence-column.kadence-column3038_bea64e-fc > .kt-inside-inner-col{flex-direction:column;justify-content:flex-start;}}@media all and (max-width: 1024px){.kadence-column3038_bea64e-fc > .kt-inside-inner-col{flex-direction:column-reverse;justify-content:flex-start;}}@media all and (max-width: 1024px){.kadence-column3038_bea64e-fc, .kt-inside-inner-col > .kadence-column3038_bea64e-fc:not(.specificity){margin-left:-25%;}}@media all and (max-width: 767px){.kadence-column3038_bea64e-fc > .kt-inside-inner-col{min-height:300px;flex-direction:column-reverse;justify-content:flex-start;}.kt-row-column-wrap > .kadence-column3038_bea64e-fc{align-self:flex-start;}.kt-inner-column-height-full:not(.kt-has-1-columns) > .wp-block-kadence-column.kadence-column3038_bea64e-fc{align-self:auto;}.kt-inner-column-height-full:not(.kt-has-1-columns) > .wp-block-kadence-column.kadence-column3038_bea64e-fc > .kt-inside-inner-col{flex-direction:column;justify-content:flex-start;}.kadence-column3038_bea64e-fc, .kt-inside-inner-col > .kadence-column3038_bea64e-fc:not(.specificity){margin-top:0%;margin-right:0%;margin-bottom:0%;margin-left:0%;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column3038_bea64e-fc kb-section-dir-vertical-reverse inner-column-1\"><div class=\"kt-inside-inner-col\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1997\" height=\"869\" src=\"https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2020\/11\/Foto-Zusatzlich-767x415-1.png\" alt=\"\" class=\"wp-image-3232\" srcset=\"https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2020\/11\/Foto-Zusatzlich-767x415-1.png 1997w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2020\/11\/Foto-Zusatzlich-767x415-1-300x131.png 300w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2020\/11\/Foto-Zusatzlich-767x415-1-18x8.png 18w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2020\/11\/Foto-Zusatzlich-767x415-1-1024x446.png 1024w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2020\/11\/Foto-Zusatzlich-767x415-1-768x334.png 768w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2020\/11\/Foto-Zusatzlich-767x415-1-1319x574.png 1319w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2020\/11\/Foto-Zusatzlich-767x415-1-1536x668.png 1536w\" sizes=\"auto, (max-width: 1997px) 100vw, 1997px\" \/><\/figure>\n\n\n\n<div class=\"wp-block-group padding-mobile is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-group is-vertical is-layout-flex wp-container-core-group-is-layout-2c90304e wp-block-group-is-layout-flex\">\n<p class=\"titulo-mobile has-x-large-font-size wp-block-paragraph\" style=\"padding-top:0;padding-bottom:0;line-height:1.2;text-transform:uppercase\"><strong>Society without connection<\/strong><\/p>\n\n\n\n<p class=\"film-ortdatauhr sub-mobile has-text-color wp-block-paragraph\" style=\"color:#000000;margin-top:0;margin-bottom:0;font-size:20px;font-style:normal;font-weight:700;letter-spacing:0px;line-height:1.2;text-decoration:none;text-transform:uppercase\">J\u00f6rg Markowitsch \u2014 27.11.2020<\/p>\n<\/div>\n\n\n\n<div style=\"height:12px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"text-transform:none\"><strong>The new film \"Please hold the line\" (2020) by Pavel Cuzuioc loosely follows the work of service technicians in the telecommunications industry in the far east of Europe while actually portraying their customers more. Those who are in danger of losing their connection to society.<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">In the third and final installment of his documentary trilogy about unusual professions, which he began around ten years ago, Pavel Cuzuioc, the filmmaker who lives in Vienna and was born in Moldova, once again takes us to his region of origin. While the debut film focused on gravediggers, and the last film on cloakroom attendants (see also the article...&nbsp;<a href=\"https:\/\/work-o-witch.at\/garderobiers-der-weltbuehnen\/\">The unsung sing<\/a>) In the current film, the focus is now on field service technicians working for telecommunications providers in Romania, Bulgaria, Moldova, and Ukraine.<br><br>Der bei der Viennale 2020 am Vorabend des zweiten Lockdowns gezeigte Film l\u00f6st bei meiner Begleitung Unbehagen und bei mir verhaltenes Staunen aus. Die \u00e4rmlichen Wohnverh\u00e4ltnisse im ruralen Osten Europas, in die die Au\u00dfenmitarbeiter vordringen, will mein Freund nicht auch noch riechen m\u00fcssen. Mich verwundert, dass der \u00dcbergang ins Mobilfunkzeitalter dort teils noch im Gange&nbsp;ist.<br><br>The basic setup is similar to that of the previous film, Secondo Me: one profession, one subject, several countries. One hundred hours of footage, reviewed and edited into an 86-minute sociological-ethnological film essay. And yet the new film is entirely different. While Secondo Me focuses on comparing the lives and biographies of three cloakroom attendants at three opera houses, Bitte Warten blends together the different working lives and filming locations. New technology and increasing globalization are no different in Romania, Bulgaria, Moldova, and Ukraine, and the telecommunications customers are largely alike as well. They seem to be losing touch with the networked society\u2014or consciously rejecting it. Television and a landline telephone, just like in the old days, are nevertheless essential, preferably along with the old programs as well.<br><br>Unlike in the preceding films, it is evidently not so much the everyday working and private lives of the service technicians that interest Cuziuoc in the current film, but rather the stories and accounts of the customers. Along the way, the film offers some wonderful miniature portraits. For example, there is a priest who philosophizes about communication, a father mourning the death of his son from a drug overdose, and a pensioner who convincingly presents Kropotkin-style anarchism as a solution to current social developments.<br><br>Yet one cannot help but wonder what this contributes to the film and to the idea of a trilogy about unusual professions. From the perspective of occupational studies, it would certainly have been more interesting to learn more about the field service technicians. Even more fascinating would have been to compare this apparently exclusively male domain with the strictly female world of the technical office staff of telephone administrations, shown only at the beginning of the film and now largely extinct. The film, which was scheduled to be released in cinemas in March 2021, is well worth seeing, just like the other two films in the trilogy.<br><br>Tags: Telecommunications, communication, service technicians, field service employees, Romania, Moldova, Ukraine, Bulgaria, trilogy, Pavel Cuzuioc, Secondo Me.<\/p>\n\n\n\n<div style=\"height:32px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n<\/div>\n<\/div><\/div>\n\n\n<style>.kadence-column3038_09f638-38 > .kt-inside-inner-col{display:flex;}.kadence-column3038_09f638-38 > .kt-inside-inner-col{padding-right:var(--global-kb-spacing-md, 2rem);padding-bottom:var(--global-kb-spacing-lg, 3rem);padding-left:var(--global-kb-spacing-3xl, 6.5rem);}.kadence-column3038_09f638-38 > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column3038_09f638-38 > .kt-inside-inner-col{flex-direction:column;justify-content:flex-start;}.kadence-column3038_09f638-38 > .kt-inside-inner-col > .aligncenter{width:100%;}.kt-row-column-wrap > .kadence-column3038_09f638-38{align-self:flex-start;}.kt-inner-column-height-full:not(.kt-has-1-columns) > .wp-block-kadence-column.kadence-column3038_09f638-38{align-self:auto;}.kt-inner-column-height-full:not(.kt-has-1-columns) > .wp-block-kadence-column.kadence-column3038_09f638-38 > .kt-inside-inner-col{flex-direction:column;justify-content:flex-start;}.kadence-column3038_09f638-38 > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column3038_09f638-38{position:relative;}@media all and (max-width: 1024px){.kadence-column3038_09f638-38 > .kt-inside-inner-col{padding-left:var(--global-kb-spacing-md, 2rem);flex-direction:column;justify-content:flex-start;}}@media all and (max-width: 1024px){.kt-row-column-wrap > .kadence-column3038_09f638-38{align-self:flex-start;}}@media all and (max-width: 1024px){.kt-inner-column-height-full:not(.kt-has-1-columns) > .wp-block-kadence-column.kadence-column3038_09f638-38{align-self:auto;}}@media all and (max-width: 1024px){.kt-inner-column-height-full:not(.kt-has-1-columns) > .wp-block-kadence-column.kadence-column3038_09f638-38 > .kt-inside-inner-col{flex-direction:column;justify-content:flex-start;}}@media all and (max-width: 767px){.kadence-column3038_09f638-38 > .kt-inside-inner-col{padding-right:var(--global-kb-spacing-sm, 1.5rem);padding-left:var(--global-kb-spacing-sm, 1.5rem);flex-direction:column;justify-content:flex-start;}.kt-row-column-wrap > .kadence-column3038_09f638-38{align-self:flex-start;}.kt-inner-column-height-full:not(.kt-has-1-columns) > .wp-block-kadence-column.kadence-column3038_09f638-38{align-self:auto;}.kt-inner-column-height-full:not(.kt-has-1-columns) > .wp-block-kadence-column.kadence-column3038_09f638-38 > .kt-inside-inner-col{flex-direction:column;justify-content:flex-start;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column3038_09f638-38 kb-section-dir-vertical inner-column-2\"><div class=\"kt-inside-inner-col\">\n<div style=\"height:450px\" aria-hidden=\"true\" class=\"wp-block-spacer wp-block-hidden-mobile\"><\/div>\n\n\n\n<div class=\"wp-block-group is-layout-constrained wp-container-core-group-is-layout-ee2332cf wp-block-group-is-layout-constrained\">\n<figure class=\"wp-block-embed is-type-video is-provider-vimeo wp-block-embed-vimeo wp-embed-aspect-16-9 wp-has-aspect-ratio\" style=\"margin-top:0;margin-bottom:0\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Trailer BITTE WARTEN von Pavel Cuzuioc\" src=\"https:\/\/player.vimeo.com\/video\/449211884?dnt=1&amp;app_id=122963\" width=\"500\" height=\"270\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"margin-top:var(--wp--preset--spacing--30);font-size:12px;text-transform:uppercase\">BITTE WARTEN, Trailer, 2020, \u00d6sterreich, 86 min<\/p>\n<\/div>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-group is-layout-constrained wp-container-core-group-is-layout-ee2332cf wp-block-group-is-layout-constrained\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\" style=\"margin-top:0;margin-bottom:0\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Working in a telephone exchange,  1960&amp;apos;s -- Film 3792\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/GbukoDhZ-F0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"margin-top:var(--wp--preset--spacing--30);font-size:12px;text-transform:uppercase\">Arbeit in der Telefonzentrale, London, 1960, 1960, Huntley Film Archive<\/p>\n<\/div>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-group is-layout-constrained wp-container-core-group-is-layout-ee2332cf wp-block-group-is-layout-constrained\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\" style=\"margin-top:0;margin-bottom:0\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"The World&amp;apos;s Switchboard! (1932)\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/SbvAwVGpMR0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"margin-top:var(--wp--preset--spacing--30);font-size:12px;text-transform:uppercase\">Telefonzentrale, London, 1930<\/p>\n<\/div>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-group is-layout-constrained wp-container-core-group-is-layout-9790f0ff wp-block-group-is-layout-constrained\">\n<figure class=\"wp-block-image size-full\" style=\"margin-top:0;margin-bottom:0\"><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1037\" src=\"https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/09\/Bitte-warten_Filmgarten_05.jpg\" alt=\"\" class=\"wp-image-3039\" srcset=\"https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/09\/Bitte-warten_Filmgarten_05.jpg 1920w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/09\/Bitte-warten_Filmgarten_05-300x162.jpg 300w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/09\/Bitte-warten_Filmgarten_05-767x414.jpg 767w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/09\/Bitte-warten_Filmgarten_05-1024x553.jpg 1024w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/09\/Bitte-warten_Filmgarten_05-18x10.jpg 18w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/09\/Bitte-warten_Filmgarten_05-1536x830.jpg 1536w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/09\/Bitte-warten_Filmgarten_05-1318x712.jpg 1318w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><\/figure>\n\n\n\n<div class=\"wp-block-group is-layout-constrained wp-container-core-group-is-layout-ee2332cf wp-block-group-is-layout-constrained\">\n<p class=\"has-ast-global-color-1-color has-text-color has-link-color wp-elements-1 wp-block-paragraph\" style=\"font-size:12px;text-transform:uppercase\">Bitte Warten, Still<br>\u00a9 Pavel Cuzuioc, Filmgarten<\/p>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-group is-layout-constrained wp-container-core-group-is-layout-9790f0ff wp-block-group-is-layout-constrained\">\n<figure class=\"wp-block-image size-full\" style=\"margin-top:0;margin-bottom:0\"><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1035\" src=\"https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/09\/Bitte-warten_Filmgarten_04.jpg\" alt=\"\" class=\"wp-image-3040\" srcset=\"https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/09\/Bitte-warten_Filmgarten_04.jpg 1920w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/09\/Bitte-warten_Filmgarten_04-300x162.jpg 300w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/09\/Bitte-warten_Filmgarten_04-768x414.jpg 768w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/09\/Bitte-warten_Filmgarten_04-18x10.jpg 18w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/09\/Bitte-warten_Filmgarten_04-1024x552.jpg 1024w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/09\/Bitte-warten_Filmgarten_04-1536x828.jpg 1536w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/09\/Bitte-warten_Filmgarten_04-1319x711.jpg 1319w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><\/figure>\n\n\n\n<div class=\"wp-block-group is-layout-constrained wp-container-core-group-is-layout-ee2332cf wp-block-group-is-layout-constrained\">\n<p class=\"has-ast-global-color-1-color has-text-color has-link-color wp-elements-2 wp-block-paragraph\" style=\"font-size:12px;text-transform:uppercase\">Bitte Warten, 2020, Still<br>\u00a9 Pavel Cuzuioc, Filmgarten<\/p>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-group is-layout-constrained wp-container-core-group-is-layout-9790f0ff wp-block-group-is-layout-constrained\">\n<figure class=\"wp-block-image size-full\" style=\"margin-top:0;margin-bottom:0\"><img loading=\"lazy\" decoding=\"async\" width=\"2554\" height=\"1377\" src=\"https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/09\/Bitte-warten_Filmgarten_06.jpg\" alt=\"\" class=\"wp-image-3041\" srcset=\"https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/09\/Bitte-warten_Filmgarten_06.jpg 2554w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/09\/Bitte-warten_Filmgarten_06-300x162.jpg 300w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/09\/Bitte-warten_Filmgarten_06-768x414.jpg 768w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/09\/Bitte-warten_Filmgarten_06-18x10.jpg 18w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/09\/Bitte-warten_Filmgarten_06-1024x552.jpg 1024w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/09\/Bitte-warten_Filmgarten_06-1536x828.jpg 1536w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/09\/Bitte-warten_Filmgarten_06-2048x1104.jpg 2048w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/09\/Bitte-warten_Filmgarten_06-1319x711.jpg 1319w\" sizes=\"auto, (max-width: 2554px) 100vw, 2554px\" \/><\/figure>\n\n\n\n<div class=\"wp-block-group is-layout-constrained wp-container-core-group-is-layout-ee2332cf wp-block-group-is-layout-constrained\">\n<p class=\"has-ast-global-color-1-color has-text-color has-link-color wp-elements-3 wp-block-paragraph\" style=\"font-size:12px;text-transform:uppercase\">Bitte Warten, 2020, Still<br>\u00a9 Pavel Cuzuioc, Filmgarten<\/p>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-group is-layout-constrained wp-container-core-group-is-layout-9790f0ff wp-block-group-is-layout-constrained\">\n<figure class=\"wp-block-image size-full\" style=\"margin-top:0;margin-bottom:0\"><img loading=\"lazy\" decoding=\"async\" width=\"1079\" height=\"584\" src=\"https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/09\/Foto-Zusatzlich.jpg\" alt=\"\" class=\"wp-image-3042\" srcset=\"https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/09\/Foto-Zusatzlich.jpg 1079w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/09\/Foto-Zusatzlich-300x162.jpg 300w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/09\/Foto-Zusatzlich-767x415.jpg 767w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/09\/Foto-Zusatzlich-1024x554.jpg 1024w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/09\/Foto-Zusatzlich-18x10.jpg 18w\" sizes=\"auto, (max-width: 1079px) 100vw, 1079px\" \/><\/figure>\n\n\n\n<div class=\"wp-block-group is-layout-constrained wp-container-core-group-is-layout-ee2332cf wp-block-group-is-layout-constrained\">\n<p class=\"has-ast-global-color-1-color has-text-color has-link-color wp-elements-4 wp-block-paragraph\" style=\"font-size:12px;text-transform:uppercase\">Bitte Warten, 2020, Still<br>\u00a9 Pavel Cuzuioc, Filmgarten<\/p>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:48px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Tags  <strong>\u2501\u2501\u2501\u2501<strong>\u2501<\/strong>\u2501<strong>\u2501\u2501\u2501<strong>\u2501<\/strong>\u2501<\/strong><\/strong><\/p>\n\n\n<div style=\"text-transform:uppercase\" class=\"taxonomy-post_tag wp-block-post-terms has-small-font-size\"><a href=\"https:\/\/arbeits-film-festival.at\/en\/tag\/aussendienstmitarbeiter\/\" rel=\"tag\">Field service employee<\/a><span class=\"wp-block-post-terms__separator\">, <\/span><a href=\"https:\/\/arbeits-film-festival.at\/en\/tag\/bulgarien\/\" rel=\"tag\">Bulgaria<\/a><span class=\"wp-block-post-terms__separator\">, <\/span><a href=\"https:\/\/arbeits-film-festival.at\/en\/tag\/kommunikation\/\" rel=\"tag\">Communication<\/a><span class=\"wp-block-post-terms__separator\">, <\/span><a href=\"https:\/\/arbeits-film-festival.at\/en\/tag\/moldau\/\" rel=\"tag\">Moldova<\/a><span class=\"wp-block-post-terms__separator\">, <\/span><a href=\"https:\/\/arbeits-film-festival.at\/en\/tag\/pavel-cuzuioc\/\" rel=\"tag\">Pavel Cuzuioc<\/a><span class=\"wp-block-post-terms__separator\">, <\/span><a href=\"https:\/\/arbeits-film-festival.at\/en\/tag\/rumaenien\/\" rel=\"tag\">Romanian<\/a><span class=\"wp-block-post-terms__separator\">, <\/span><a href=\"https:\/\/arbeits-film-festival.at\/en\/tag\/secondo-me\/\" rel=\"tag\">Secondo Me.<\/a><span class=\"wp-block-post-terms__separator\">, <\/span><a href=\"https:\/\/arbeits-film-festival.at\/en\/tag\/servicetechniker\/\" rel=\"tag\">Service technician<\/a><span class=\"wp-block-post-terms__separator\">, <\/span><a href=\"https:\/\/arbeits-film-festival.at\/en\/tag\/telekom\/\" rel=\"tag\">Telecommunications<\/a><span class=\"wp-block-post-terms__separator\">, <\/span><a href=\"https:\/\/arbeits-film-festival.at\/en\/tag\/trilogie\/\" rel=\"tag\">trilogy<\/a><span class=\"wp-block-post-terms__separator\">, <\/span><a href=\"https:\/\/arbeits-film-festival.at\/en\/tag\/ukraine\/\" rel=\"tag\">Ukraine<\/a><\/div><\/div><\/div>\n\n<\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>The new film \"Please hold the line\" (2020) by Pavel Cuzuioc loosely follows the work of service technicians in the telecommunications industry in the far east of Europe while actually portraying their customers more. Those who are in danger of losing their connection to society.<\/p>","protected":false},"author":1,"featured_media":3042,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":"","_links_to":"","_links_to_target":""},"categories":[8],"tags":[156,158,159,157,160,46,161,162,163,164,165],"class_list":["post-3038","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-work-o-witch","tag-aussendienstmitarbeiter","tag-bulgarien","tag-kommunikation","tag-moldau","tag-pavel-cuzuioc","tag-rumaenien","tag-secondo-me","tag-servicetechniker","tag-telekom","tag-trilogie","tag-ukraine"],"uagb_featured_image_src":{"full":["https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/09\/Foto-Zusatzlich.jpg",1079,584,false],"thumbnail":["https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/09\/Foto-Zusatzlich-150x150.jpg",150,150,true],"medium":["https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/09\/Foto-Zusatzlich-300x162.jpg",300,162,true],"medium_large":["https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/09\/Foto-Zusatzlich-767x415.jpg",767,415,true],"large":["https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/09\/Foto-Zusatzlich-1024x554.jpg",1024,554,true],"1536x1536":["https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/09\/Foto-Zusatzlich.jpg",1079,584,false],"2048x2048":["https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/09\/Foto-Zusatzlich.jpg",1079,584,false],"trp-custom-language-flag":["https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/09\/Foto-Zusatzlich-18x10.jpg",18,10,true],"mailpoet_newsletter_max":["https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/09\/Foto-Zusatzlich.jpg",1079,584,false]},"uagb_author_info":{"display_name":"administrador","author_link":"https:\/\/arbeits-film-festival.at\/en\/author\/admin\/"},"uagb_comment_info":0,"uagb_excerpt":"Der neue Film \u201eBitte Warten\u201c (2020) von Pavel Cuzuioc begleitet die Arbeit von Servicetechnikern in der Telekommunikationsbranche im \u00e4u\u00dfersten Osten Europas und portr\u00e4tiert dabei doch mehr deren Kunden. Leute, die den Anschluss zu verlieren drohen.","_links":{"self":[{"href":"https:\/\/arbeits-film-festival.at\/en\/wp-json\/wp\/v2\/posts\/3038","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/arbeits-film-festival.at\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/arbeits-film-festival.at\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/arbeits-film-festival.at\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/arbeits-film-festival.at\/en\/wp-json\/wp\/v2\/comments?post=3038"}],"version-history":[{"count":2,"href":"https:\/\/arbeits-film-festival.at\/en\/wp-json\/wp\/v2\/posts\/3038\/revisions"}],"predecessor-version":[{"id":3233,"href":"https:\/\/arbeits-film-festival.at\/en\/wp-json\/wp\/v2\/posts\/3038\/revisions\/3233"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/arbeits-film-festival.at\/en\/wp-json\/wp\/v2\/media\/3042"}],"wp:attachment":[{"href":"https:\/\/arbeits-film-festival.at\/en\/wp-json\/wp\/v2\/media?parent=3038"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/arbeits-film-festival.at\/en\/wp-json\/wp\/v2\/categories?post=3038"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/arbeits-film-festival.at\/en\/wp-json\/wp\/v2\/tags?post=3038"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}