{"id":3068,"date":"2020-11-17T10:27:00","date_gmt":"2020-11-17T09:27:00","guid":{"rendered":"https:\/\/arbeits-film-festival.at\/?p=3068"},"modified":"2026-10-16T21:23:22","modified_gmt":"2026-10-16T19:23:22","slug":"stapler-konflikte","status":"publish","type":"post","link":"https:\/\/arbeits-film-festival.at\/en\/2020\/11\/17\/stapler-konflikte\/","title":{"rendered":"Forklift-Conflicts"},"content":{"rendered":"<style>.kb-row-layout-wrap.wp-block-kadence-rowlayout.kb-row-layout-id3068_e842c1-18{margin-top:0px;margin-bottom:0px;}.kb-row-layout-id3068_e842c1-18 > .kt-row-column-wrap{align-content:center;}:where(.kb-row-layout-id3068_e842c1-18 > .kt-row-column-wrap) > .wp-block-kadence-column{justify-content:center;}.kb-row-layout-id3068_e842c1-18 > .kt-row-column-wrap{column-gap:var(--global-kb-gap-none, 0rem );row-gap:var(--global-kb-gap-md, 2rem);max-width:var(--wp--style--global--content-size);padding-top:var(--global-kb-spacing-xl, 4rem);padding-right:0px;padding-bottom:0px;min-height:852px;grid-template-columns:minmax(0, 2fr) minmax(0, 1fr);}.kb-row-layout-id3068_e842c1-18{--breakout-negative-margin-right:calc( ( ( ( var(--global-vw, 100vw) - ( var(--wp--style--global--content-size) - ( 0px*2 ) ) ) \/ 2 ) *-1) + -1px);--breakout-negative-margin-left:calc( ( ( ( var(--global-vw, 100vw) - ( var(--wp--style--global--content-size) - ( 0px*2 ) ) ) \/ 2 ) *-1) + -1px);}.kb-row-layout-id3068_e842c1-18{background-color:rgba(17,17,17,0);}.kb-row-layout-id3068_e842c1-18 > .kt-row-layout-overlay{opacity:0.30;}.kb-row-layout-id3068_e842c1-18{z-index:906;position:relative;}@media all and (min-width: 1025px){.kb-row-layout-id3068_e842c1-18 > .kt-row-column-wrap > .wp-block-kadence-column:nth-child(1 of *:not(style)){margin-inline-start:calc( 0px *-1 );margin-inline-start:var(--breakout-negative-margin-left);}.kb-row-layout-id3068_e842c1-18 > .kt-row-column-wrap > .wp-block-kadence-column:nth-child(2 of 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class=\"kt-row-column-wrap kt-has-2-columns kt-row-layout-left-golden kt-tab-layout-left-golden kt-mobile-layout-row kt-row-valign-middle kt-inner-column-height-full kb-theme-content-width\">\n<style>.kadence-column3068_d3d821-a5 > .kt-inside-inner-col{display:flex;}.kadence-column3068_d3d821-a5 > .kt-inside-inner-col{min-height:600px;}.kadence-column3068_d3d821-a5 > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column3068_d3d821-a5 > .kt-inside-inner-col{flex-direction:column-reverse;justify-content:flex-start;}.kadence-column3068_d3d821-a5 > .kt-inside-inner-col > .aligncenter{width:100%;}.kt-row-column-wrap > .kadence-column3068_d3d821-a5{align-self:flex-start;}.kt-inner-column-height-full:not(.kt-has-1-columns) > .wp-block-kadence-column.kadence-column3068_d3d821-a5{align-self:auto;}.kt-inner-column-height-full:not(.kt-has-1-columns) > .wp-block-kadence-column.kadence-column3068_d3d821-a5 > .kt-inside-inner-col{flex-direction:column;justify-content:flex-start;}.kadence-column3068_d3d821-a5 > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column3068_d3d821-a5{position:relative;}@media all and (max-width: 1024px){.kt-row-column-wrap > .kadence-column3068_d3d821-a5{align-self:flex-start;}}@media all and (max-width: 1024px){.kt-inner-column-height-full:not(.kt-has-1-columns) > .wp-block-kadence-column.kadence-column3068_d3d821-a5{align-self:auto;}}@media all and (max-width: 1024px){.kt-inner-column-height-full:not(.kt-has-1-columns) > .wp-block-kadence-column.kadence-column3068_d3d821-a5 > .kt-inside-inner-col{flex-direction:column;justify-content:flex-start;}}@media all and (max-width: 1024px){.kadence-column3068_d3d821-a5 > .kt-inside-inner-col{flex-direction:column-reverse;justify-content:flex-start;}}@media all and (max-width: 1024px){.kadence-column3068_d3d821-a5, .kt-inside-inner-col > .kadence-column3068_d3d821-a5:not(.specificity){margin-left:-25%;}}@media all and (max-width: 767px){.kadence-column3068_d3d821-a5 > .kt-inside-inner-col{min-height:300px;flex-direction:column-reverse;justify-content:flex-start;}.kt-row-column-wrap > .kadence-column3068_d3d821-a5{align-self:flex-start;}.kt-inner-column-height-full:not(.kt-has-1-columns) > .wp-block-kadence-column.kadence-column3068_d3d821-a5{align-self:auto;}.kt-inner-column-height-full:not(.kt-has-1-columns) > .wp-block-kadence-column.kadence-column3068_d3d821-a5 > .kt-inside-inner-col{flex-direction:column;justify-content:flex-start;}.kadence-column3068_d3d821-a5, .kt-inside-inner-col > .kadence-column3068_d3d821-a5:not(.specificity){margin-top:0%;margin-right:0%;margin-bottom:0%;margin-left:0%;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column3068_d3d821-a5 kb-section-dir-vertical-reverse inner-column-1\"><div class=\"kt-inside-inner-col\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1997\" height=\"870\" src=\"https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2020\/11\/IDG-02-Christian-und-Marion-im-Stapler-scaled-1-edited-768x432-1.png\" alt=\"\" class=\"wp-image-3238\" srcset=\"https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2020\/11\/IDG-02-Christian-und-Marion-im-Stapler-scaled-1-edited-768x432-1.png 1997w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2020\/11\/IDG-02-Christian-und-Marion-im-Stapler-scaled-1-edited-768x432-1-300x131.png 300w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2020\/11\/IDG-02-Christian-und-Marion-im-Stapler-scaled-1-edited-768x432-1-18x8.png 18w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2020\/11\/IDG-02-Christian-und-Marion-im-Stapler-scaled-1-edited-768x432-1-1024x446.png 1024w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2020\/11\/IDG-02-Christian-und-Marion-im-Stapler-scaled-1-edited-768x432-1-767x334.png 767w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2020\/11\/IDG-02-Christian-und-Marion-im-Stapler-scaled-1-edited-768x432-1-1320x575.png 1320w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2020\/11\/IDG-02-Christian-und-Marion-im-Stapler-scaled-1-edited-768x432-1-1536x669.png 1536w\" sizes=\"auto, (max-width: 1997px) 100vw, 1997px\" \/><\/figure>\n\n\n\n<div class=\"wp-block-group padding-mobile is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-group is-vertical is-layout-flex wp-container-core-group-is-layout-2c90304e wp-block-group-is-layout-flex\">\n<p class=\"titulo-mobile has-x-large-font-size wp-block-paragraph\" style=\"padding-top:0;padding-bottom:0;line-height:1.2;text-transform:uppercase\"><strong>Forklift-Conflicts<\/strong><\/p>\n\n\n\n<p class=\"film-ortdatauhr sub-mobile has-text-color wp-block-paragraph\" style=\"color:#000000;margin-top:0;margin-bottom:0;font-size:20px;font-style:normal;font-weight:700;letter-spacing:0px;line-height:1.2;text-decoration:none;text-transform:uppercase\">J\u00f6rg Markowitsch \u2014 17.11.2020<\/p>\n<\/div>\n\n\n\n<div style=\"height:12px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"text-transform:none\"><strong>In the Aisles (2018) by Thomas Stuber is the ultimate warehouse-worker feature film. There has never been so much 'workplace' featured in a movie, set in a wholesale market, with so much insight into learning the ropes of an unskilled job. On top of that, romance.<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Back in 2019, I took a short break and started a traineeship as an unskilled worker in a wholesale plant nursery, suddenly the feelings came flooding back. Those that you only go through in a new, unfamiliar job during the first days and weeks.<br><br>In the German feature film \u201cIn den G\u00e4ngen\u201d (In the Aisles, 2018), this special emotional world of those starting out in unskilled jobs can relive it, if one so chooses. Christian, the protagonist of the film, played outstandingly by the \u2018German Joaquin Phoenix\u2019, Franz Rogowski, has it literally written all over his face as he starts his new job in the wholesale market: Curiosity, dread, uncertainty, excitement, fear, enthusiasm, desire, and frustration. For this he was rightly awarded with the German Film Award for Best Leading Actor in 2019.<br><br>It is an immersion into a new microcosm with its own linguistic world. \u201cFetch me the CC!\u201d was what I was told on my very first day, during which I had a constant question mark lingering on my forehead. CC stood for \u201cContainer Centralen\u201d and it was a trolley with adjustable shelves that was mainly used in the plant business. For your information: 80% of the work in a wholesale nursery is warehouse work.<br><br>Ins Schwitzen bringt Christian nicht das CC, sondern das noch fehlende Feingef\u00fchl bei der Handhabung der \u201eAmeise\u201c (ein Elektro-Hubwagen, benannt nach dem Hersteller). &nbsp;Doch der ist f\u00fcr ihn noch Tabu. \u201aStapler-Konflikte\u2018, der Kampf, wer die Stapler fahren darf, geh\u00f6ren zum Alltag in den G\u00e4ngen des Gro\u00dfmarkts.<br><br>The film actually takes place almost exclusively within the wholesale market (i.e. in the warehouse, office, lounge, the loading ramp, and in the car park) and devotes a lot of time to the realistic depiction of Christian\u2019s instruction; especially by his older colleague Bruno, played by Peter Kurth (known as the chief inspector in \u201cBabylon Berlin\u201d).<br><br>Only the theory-training for the forklift licence feels scripted but rewards the spectator with a giggle. Completely intimidated young men in a class situation find themselves exposed to the pedagogically questionable gory joke of the trainer and have to endure an instructional film with a double amputation. The take away: Disregarding the rules ends in a torrent of blood.<br><br>Das Verbot am Stapler mitzufahren ist so eine Vorschrift, erfahren wir vom Trainer. Nur um dann in der n\u00e4chsten Szene zu erleben, wie Christian Marion (Sandra H\u00fcller, die deutsche Cate Blanchett) am Stapler kutschiert. Willkommen zur\u00fcck in der Arbeitswirklichkeit. Arbeiter haben eben stets auch ihre eigene Interpretation von Regeln und machen ihre eigenen Gesetze.&nbsp; Die gemeinsame Staplerfahrt von Christian und Marion ist dann auch so etwas wie der H\u00f6hepunkt der zarten Romanze zwischen den beiden, nat\u00fcrlich das eigentliche Thema des&nbsp;Films.<br><br>Love stories that take place almost exclusively in the workplace are probably the exception rather than the rule in the cinema despite being the bread and butter of real workplaces. Stuber\u2019s film shows impressively that this can have its charm too and at the same time be suitable as a milieu to study.<\/p>\n\n\n\n<div style=\"height:32px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n<\/div>\n<\/div><\/div>\n\n\n<style>.kadence-column3068_5cd9a8-bf > .kt-inside-inner-col{display:flex;}.kadence-column3068_5cd9a8-bf > .kt-inside-inner-col{padding-right:var(--global-kb-spacing-md, 2rem);padding-bottom:var(--global-kb-spacing-lg, 3rem);padding-left:var(--global-kb-spacing-3xl, 6.5rem);}.kadence-column3068_5cd9a8-bf > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column3068_5cd9a8-bf > .kt-inside-inner-col{flex-direction:column;justify-content:flex-start;}.kadence-column3068_5cd9a8-bf > .kt-inside-inner-col > .aligncenter{width:100%;}.kt-row-column-wrap > .kadence-column3068_5cd9a8-bf{align-self:flex-start;}.kt-inner-column-height-full:not(.kt-has-1-columns) > .wp-block-kadence-column.kadence-column3068_5cd9a8-bf{align-self:auto;}.kt-inner-column-height-full:not(.kt-has-1-columns) > .wp-block-kadence-column.kadence-column3068_5cd9a8-bf > .kt-inside-inner-col{flex-direction:column;justify-content:flex-start;}.kadence-column3068_5cd9a8-bf > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column3068_5cd9a8-bf{position:relative;}@media all and (max-width: 1024px){.kadence-column3068_5cd9a8-bf > .kt-inside-inner-col{padding-left:var(--global-kb-spacing-md, 2rem);flex-direction:column;justify-content:flex-start;}}@media all and (max-width: 1024px){.kt-row-column-wrap > .kadence-column3068_5cd9a8-bf{align-self:flex-start;}}@media all and (max-width: 1024px){.kt-inner-column-height-full:not(.kt-has-1-columns) > .wp-block-kadence-column.kadence-column3068_5cd9a8-bf{align-self:auto;}}@media all and (max-width: 1024px){.kt-inner-column-height-full:not(.kt-has-1-columns) > .wp-block-kadence-column.kadence-column3068_5cd9a8-bf > .kt-inside-inner-col{flex-direction:column;justify-content:flex-start;}}@media all and (max-width: 767px){.kadence-column3068_5cd9a8-bf > .kt-inside-inner-col{padding-right:var(--global-kb-spacing-sm, 1.5rem);padding-left:var(--global-kb-spacing-sm, 1.5rem);flex-direction:column;justify-content:flex-start;}.kt-row-column-wrap > .kadence-column3068_5cd9a8-bf{align-self:flex-start;}.kt-inner-column-height-full:not(.kt-has-1-columns) > .wp-block-kadence-column.kadence-column3068_5cd9a8-bf{align-self:auto;}.kt-inner-column-height-full:not(.kt-has-1-columns) > .wp-block-kadence-column.kadence-column3068_5cd9a8-bf > .kt-inside-inner-col{flex-direction:column;justify-content:flex-start;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column3068_5cd9a8-bf kb-section-dir-vertical inner-column-2\"><div class=\"kt-inside-inner-col\">\n<div style=\"height:450px\" aria-hidden=\"true\" class=\"wp-block-spacer wp-block-hidden-mobile\"><\/div>\n\n\n\n<div class=\"wp-block-group is-layout-constrained wp-container-core-group-is-layout-ee2332cf wp-block-group-is-layout-constrained\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\" style=\"margin-top:0;margin-bottom:0\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"IN DEN G\u00c4NGEN Trailer German Deutsch (2018)\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/gtmSKB20-vE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"margin-top:var(--wp--preset--spacing--30);font-size:12px;text-transform:uppercase\">&#8222;In den G\u00e4ngen&#8220;, Trailer, German<\/p>\n<\/div>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-group is-layout-constrained wp-container-core-group-is-layout-ee2332cf wp-block-group-is-layout-constrained\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\" style=\"margin-top:0;margin-bottom:0\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"IN THE AISLES - Official U.S. Trailer\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/Nleocx1bz_U?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"margin-top:var(--wp--preset--spacing--30);font-size:12px;text-transform:uppercase\">&#8222;In den G\u00e4ngen&#8220;, Trailer, German with English Subtitles<\/p>\n<\/div>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-group is-layout-constrained wp-container-core-group-is-layout-9790f0ff wp-block-group-is-layout-constrained\">\n<figure class=\"wp-block-image size-full\" style=\"margin-top:0;margin-bottom:0\"><img loading=\"lazy\" decoding=\"async\" width=\"2560\" height=\"1709\" src=\"https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/09\/IdG.-2529-min-scaled-1.jpg\" alt=\"\" class=\"wp-image-3069\" srcset=\"https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/09\/IdG.-2529-min-scaled-1.jpg 2560w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/09\/IdG.-2529-min-scaled-1-300x200.jpg 300w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/09\/IdG.-2529-min-scaled-1-767x512.jpg 767w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/09\/IdG.-2529-min-scaled-1-1024x684.jpg 1024w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/09\/IdG.-2529-min-scaled-1-1536x1025.jpg 1536w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/09\/IdG.-2529-min-scaled-1-18x12.jpg 18w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/09\/IdG.-2529-min-scaled-1-2048x1367.jpg 2048w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/09\/IdG.-2529-min-scaled-1-1320x881.jpg 1320w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\" \/><\/figure>\n\n\n\n<div class=\"wp-block-group is-layout-constrained wp-container-core-group-is-layout-ee2332cf wp-block-group-is-layout-constrained\">\n<p class=\"has-ast-global-color-1-color has-text-color has-link-color wp-elements-1 wp-block-paragraph\" style=\"font-size:12px;text-transform:uppercase\">Still, In den G\u00e4ngen<br>\u00a9 Polyfilm, Stills, Kamera Peter Matjasko<\/p>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-group is-layout-constrained wp-container-core-group-is-layout-9790f0ff wp-block-group-is-layout-constrained\">\n<figure class=\"wp-block-image size-full\" style=\"margin-top:0;margin-bottom:0\"><img loading=\"lazy\" decoding=\"async\" width=\"2560\" height=\"1542\" src=\"https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/09\/IDG-02-Christian-und-Marion-im-Stapler-scaled-1.jpg\" alt=\"\" class=\"wp-image-3070\" srcset=\"https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/09\/IDG-02-Christian-und-Marion-im-Stapler-scaled-1.jpg 2560w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/09\/IDG-02-Christian-und-Marion-im-Stapler-scaled-1-300x181.jpg 300w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/09\/IDG-02-Christian-und-Marion-im-Stapler-scaled-1-1024x617.jpg 1024w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/09\/IDG-02-Christian-und-Marion-im-Stapler-scaled-1-768x463.jpg 768w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/09\/IDG-02-Christian-und-Marion-im-Stapler-scaled-1-1536x925.jpg 1536w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/09\/IDG-02-Christian-und-Marion-im-Stapler-scaled-1-2048x1234.jpg 2048w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/09\/IDG-02-Christian-und-Marion-im-Stapler-scaled-1-18x12.jpg 18w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/09\/IDG-02-Christian-und-Marion-im-Stapler-scaled-1-1320x795.jpg 1320w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\" \/><\/figure>\n\n\n\n<div class=\"wp-block-group is-layout-constrained wp-container-core-group-is-layout-ee2332cf wp-block-group-is-layout-constrained\">\n<p class=\"has-ast-global-color-1-color has-text-color has-link-color wp-elements-2 wp-block-paragraph\" style=\"font-size:12px;text-transform:uppercase\">Still In den G\u00e4ngen<br>\u00a9 Polyfilm, Stills, Kamera Peter Matjasko<\/p>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-group is-layout-constrained wp-container-core-group-is-layout-9790f0ff wp-block-group-is-layout-constrained\">\n<figure class=\"wp-block-image size-full\" style=\"margin-top:0;margin-bottom:0\"><img loading=\"lazy\" decoding=\"async\" width=\"2560\" height=\"1708\" src=\"https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/09\/IDG-01-Christian-und-Marion-im-Aufenthaltsraum-scaled-1.jpg\" alt=\"\" class=\"wp-image-3071\" srcset=\"https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/09\/IDG-01-Christian-und-Marion-im-Aufenthaltsraum-scaled-1.jpg 2560w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/09\/IDG-01-Christian-und-Marion-im-Aufenthaltsraum-scaled-1-300x200.jpg 300w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/09\/IDG-01-Christian-und-Marion-im-Aufenthaltsraum-scaled-1-767x512.jpg 767w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/09\/IDG-01-Christian-und-Marion-im-Aufenthaltsraum-scaled-1-1024x683.jpg 1024w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/09\/IDG-01-Christian-und-Marion-im-Aufenthaltsraum-scaled-1-1536x1025.jpg 1536w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/09\/IDG-01-Christian-und-Marion-im-Aufenthaltsraum-scaled-1-18x12.jpg 18w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/09\/IDG-01-Christian-und-Marion-im-Aufenthaltsraum-scaled-1-2048x1366.jpg 2048w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/09\/IDG-01-Christian-und-Marion-im-Aufenthaltsraum-scaled-1-1319x880.jpg 1319w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\" \/><\/figure>\n\n\n\n<div class=\"wp-block-group is-layout-constrained wp-container-core-group-is-layout-ee2332cf wp-block-group-is-layout-constrained\">\n<p class=\"has-ast-global-color-1-color has-text-color has-link-color wp-elements-3 wp-block-paragraph\" style=\"font-size:12px;text-transform:uppercase\">Still In den G\u00e4ngen<br>\u00a9 Polyfilm, Stills, Kamera Peter Matjasko<\/p>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:48px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Tags  <strong>\u2501\u2501\u2501\u2501<strong>\u2501<\/strong>\u2501<strong>\u2501\u2501\u2501<strong>\u2501<\/strong>\u2501<\/strong><\/strong><\/p>\n\n\n<div style=\"text-transform:uppercase\" class=\"taxonomy-post_tag wp-block-post-terms has-small-font-size\"><a href=\"https:\/\/arbeits-film-festival.at\/en\/tag\/arbeitswelt\/\" rel=\"tag\">Working world<\/a><span class=\"wp-block-post-terms__separator\">, <\/span><a href=\"https:\/\/arbeits-film-festival.at\/en\/tag\/deutscher-filmpreis\/\" rel=\"tag\">german film award<\/a><span class=\"wp-block-post-terms__separator\">, <\/span><a href=\"https:\/\/arbeits-film-festival.at\/en\/tag\/franz-rogowski\/\" rel=\"tag\">Franz Rogowski<\/a><span class=\"wp-block-post-terms__separator\">, <\/span><a href=\"https:\/\/arbeits-film-festival.at\/en\/tag\/hubstapler\/\" rel=\"tag\">forklift truck<\/a><span class=\"wp-block-post-terms__separator\">, <\/span><a href=\"https:\/\/arbeits-film-festival.at\/en\/tag\/lagerarbeit\/\" rel=\"tag\">warehouse work<\/a><span class=\"wp-block-post-terms__separator\">, <\/span><a href=\"https:\/\/arbeits-film-festival.at\/en\/tag\/logistik\/\" rel=\"tag\">logistic<\/a><span class=\"wp-block-post-terms__separator\">, <\/span><a href=\"https:\/\/arbeits-film-festival.at\/en\/tag\/peter-kurth\/\" rel=\"tag\">Peter Kurth<\/a><span class=\"wp-block-post-terms__separator\">, <\/span><a href=\"https:\/\/arbeits-film-festival.at\/en\/tag\/romanze\/\" rel=\"tag\">romance<\/a><span class=\"wp-block-post-terms__separator\">, <\/span><a href=\"https:\/\/arbeits-film-festival.at\/en\/tag\/sandra-hueller\/\" rel=\"tag\">Sandra H\u00fcller<\/a><span class=\"wp-block-post-terms__separator\">, <\/span><a href=\"https:\/\/arbeits-film-festival.at\/en\/tag\/thomas-stuber\/\" rel=\"tag\">Thomas Stuber<\/a><\/div><\/div><\/div>\n\n<\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>In the Aisles (2018) by Thomas Stuber is the ultimate warehouse-worker feature film. There has never been so much 'workplace' featured in a movie, set in a wholesale market, with so much insight into learning the ropes of an unskilled job. On top of that, romance.<\/p>","protected":false},"author":1,"featured_media":3072,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center 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center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":"","_links_to":"","_links_to_target":""},"categories":[8],"tags":[173,178,174,176,175,177,179,180,181,182],"class_list":["post-3068","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-work-o-witch","tag-arbeitswelt","tag-deutscher-filmpreis","tag-franz-rogowski","tag-hubstapler","tag-lagerarbeit","tag-logistik","tag-peter-kurth","tag-romanze","tag-sandra-hueller","tag-thomas-stuber"],"uagb_featured_image_src":{"full":["https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/09\/IDG-02-Christian-und-Marion-im-Stapler-scaled-1-edited.jpg",2560,1440,false],"thumbnail":["https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/09\/IDG-02-Christian-und-Marion-im-Stapler-scaled-1-edited-150x150.jpg",150,150,true],"medium":["https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/09\/IDG-02-Christian-und-Marion-im-Stapler-scaled-1-edited-300x169.jpg",300,169,true],"medium_large":["https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/09\/IDG-02-Christian-und-Marion-im-Stapler-scaled-1-edited-768x432.jpg",768,432,true],"large":["https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/09\/IDG-02-Christian-und-Marion-im-Stapler-scaled-1-edited-1024x576.jpg",1024,576,true],"1536x1536":["https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/09\/IDG-02-Christian-und-Marion-im-Stapler-scaled-1-edited-1536x864.jpg",1536,864,true],"2048x2048":["https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/09\/IDG-02-Christian-und-Marion-im-Stapler-scaled-1-edited-2048x1152.jpg",2048,1152,true],"trp-custom-language-flag":["https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/09\/IDG-02-Christian-und-Marion-im-Stapler-scaled-1-edited-18x10.jpg",18,10,true],"mailpoet_newsletter_max":["https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/09\/IDG-02-Christian-und-Marion-im-Stapler-scaled-1-edited-1320x743.jpg",1320,743,true]},"uagb_author_info":{"display_name":"administrador","author_link":"https:\/\/arbeits-film-festival.at\/en\/author\/admin\/"},"uagb_comment_info":0,"uagb_excerpt":"In den G\u00e4ngen (2018) von Thomas Stuber ist der ultimative Lagerarbeiter-Spielfilm. So viel Drehort \u201aArbeitsplatz\u2019, ein Gro\u00dfmarkt, und so viel Einblick in die Einschulung in einen Hilfsberuf gab es im Kino noch nie. Obendrauf gibt es noch eine Romanze.","_links":{"self":[{"href":"https:\/\/arbeits-film-festival.at\/en\/wp-json\/wp\/v2\/posts\/3068","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/arbeits-film-festival.at\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/arbeits-film-festival.at\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/arbeits-film-festival.at\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/arbeits-film-festival.at\/en\/wp-json\/wp\/v2\/comments?post=3068"}],"version-history":[{"count":2,"href":"https:\/\/arbeits-film-festival.at\/en\/wp-json\/wp\/v2\/posts\/3068\/revisions"}],"predecessor-version":[{"id":3239,"href":"https:\/\/arbeits-film-festival.at\/en\/wp-json\/wp\/v2\/posts\/3068\/revisions\/3239"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/arbeits-film-festival.at\/en\/wp-json\/wp\/v2\/media\/3072"}],"wp:attachment":[{"href":"https:\/\/arbeits-film-festival.at\/en\/wp-json\/wp\/v2\/media?parent=3068"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/arbeits-film-festival.at\/en\/wp-json\/wp\/v2\/categories?post=3068"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/arbeits-film-festival.at\/en\/wp-json\/wp\/v2\/tags?post=3068"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}