{"id":3083,"date":"2020-10-04T10:59:00","date_gmt":"2020-10-04T08:59:00","guid":{"rendered":"https:\/\/arbeits-film-festival.at\/?p=3083"},"modified":"2026-09-16T12:16:48","modified_gmt":"2026-09-16T10:16:48","slug":"garderobiers-der-weltbuehnen","status":"publish","type":"post","link":"https:\/\/arbeits-film-festival.at\/en\/2020\/10\/04\/garderobiers-der-weltbuehnen\/","title":{"rendered":"The unsung sing"},"content":{"rendered":"<style>.kb-row-layout-wrap.wp-block-kadence-rowlayout.kb-row-layout-id3083_0860ad-70{margin-top:0px;margin-bottom:0px;}.kb-row-layout-id3083_0860ad-70 > .kt-row-column-wrap{align-content:center;}:where(.kb-row-layout-id3083_0860ad-70 > .kt-row-column-wrap) > .wp-block-kadence-column{justify-content:center;}.kb-row-layout-id3083_0860ad-70 > .kt-row-column-wrap{column-gap:var(--global-kb-gap-none, 0rem );row-gap:var(--global-kb-gap-md, 2rem);max-width:var(--wp--style--global--content-size);padding-top:var(--global-kb-spacing-xl, 4rem);padding-right:0px;padding-bottom:0px;min-height:852px;grid-template-columns:minmax(0, 2fr) minmax(0, 1fr);}.kb-row-layout-id3083_0860ad-70{--breakout-negative-margin-right:calc( ( ( ( var(--global-vw, 100vw) - ( var(--wp--style--global--content-size) - ( 0px*2 ) ) ) \/ 2 ) *-1) + -1px);--breakout-negative-margin-left:calc( ( ( ( var(--global-vw, 100vw) - ( var(--wp--style--global--content-size) - ( 0px*2 ) ) ) \/ 2 ) *-1) + -1px);}.kb-row-layout-id3083_0860ad-70{background-color:rgba(17,17,17,0);}.kb-row-layout-id3083_0860ad-70 > .kt-row-layout-overlay{opacity:0.30;}.kb-row-layout-id3083_0860ad-70{z-index:906;position:relative;}@media all and (min-width: 1025px){.kb-row-layout-id3083_0860ad-70 > .kt-row-column-wrap > .wp-block-kadence-column:nth-child(1 of *:not(style)){margin-inline-start:calc( 0px *-1 );margin-inline-start:var(--breakout-negative-margin-left);}.kb-row-layout-id3083_0860ad-70 > .kt-row-column-wrap > .wp-block-kadence-column:nth-child(2 of 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class=\"kt-row-column-wrap kt-has-2-columns kt-row-layout-left-golden kt-tab-layout-left-golden kt-mobile-layout-row kt-row-valign-middle kt-inner-column-height-full kb-theme-content-width\">\n<style>.kadence-column3083_e6764c-5b > .kt-inside-inner-col{display:flex;}.kadence-column3083_e6764c-5b > .kt-inside-inner-col{min-height:600px;}.kadence-column3083_e6764c-5b > .kt-inside-inner-col,.kadence-column3083_e6764c-5b > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column3083_e6764c-5b > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column3083_e6764c-5b > .kt-inside-inner-col{flex-direction:column-reverse;justify-content:flex-start;}.kadence-column3083_e6764c-5b > .kt-inside-inner-col > .aligncenter{width:100%;}.kt-row-column-wrap > .kadence-column3083_e6764c-5b{align-self:flex-start;}.kt-inner-column-height-full:not(.kt-has-1-columns) > .wp-block-kadence-column.kadence-column3083_e6764c-5b{align-self:auto;}.kt-inner-column-height-full:not(.kt-has-1-columns) > .wp-block-kadence-column.kadence-column3083_e6764c-5b > .kt-inside-inner-col{flex-direction:column;justify-content:flex-start;}.kadence-column3083_e6764c-5b > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column3083_e6764c-5b{position:relative;}@media all and (max-width: 1024px){.kt-row-column-wrap > .kadence-column3083_e6764c-5b{align-self:flex-start;}}@media all and (max-width: 1024px){.kt-inner-column-height-full:not(.kt-has-1-columns) > .wp-block-kadence-column.kadence-column3083_e6764c-5b{align-self:auto;}}@media all and (max-width: 1024px){.kt-inner-column-height-full:not(.kt-has-1-columns) > .wp-block-kadence-column.kadence-column3083_e6764c-5b > .kt-inside-inner-col{flex-direction:column;justify-content:flex-start;}}@media all and (max-width: 1024px){.kadence-column3083_e6764c-5b > .kt-inside-inner-col{flex-direction:column-reverse;justify-content:flex-start;}}@media all and (max-width: 1024px){.kadence-column3083_e6764c-5b, .kt-inside-inner-col > .kadence-column3083_e6764c-5b:not(.specificity){margin-left:-25%;}}@media all and (max-width: 767px){.kadence-column3083_e6764c-5b > .kt-inside-inner-col{min-height:300px;flex-direction:column-reverse;justify-content:flex-start;}.kt-row-column-wrap > .kadence-column3083_e6764c-5b{align-self:flex-start;}.kt-inner-column-height-full:not(.kt-has-1-columns) > .wp-block-kadence-column.kadence-column3083_e6764c-5b{align-self:auto;}.kt-inner-column-height-full:not(.kt-has-1-columns) > .wp-block-kadence-column.kadence-column3083_e6764c-5b > .kt-inside-inner-col{flex-direction:column;justify-content:flex-start;}.kadence-column3083_e6764c-5b, .kt-inside-inner-col > .kadence-column3083_e6764c-5b:not(.specificity){margin-top:0%;margin-right:0%;margin-bottom:0%;margin-left:0%;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column3083_e6764c-5b kb-section-dir-vertical-reverse inner-column-1\"><div class=\"kt-inside-inner-col\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"960\" height=\"540\" src=\"https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/09\/secodno-me_still_nadezhda-sokhatskaya_copyright_michael-schindegger-edited.jpg\" alt=\"\" class=\"wp-image-3089\" srcset=\"https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/09\/secodno-me_still_nadezhda-sokhatskaya_copyright_michael-schindegger-edited.jpg 960w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/09\/secodno-me_still_nadezhda-sokhatskaya_copyright_michael-schindegger-edited-300x169.jpg 300w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/09\/secodno-me_still_nadezhda-sokhatskaya_copyright_michael-schindegger-edited-768x432.jpg 768w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/09\/secodno-me_still_nadezhda-sokhatskaya_copyright_michael-schindegger-edited-18x10.jpg 18w\" sizes=\"auto, (max-width: 960px) 100vw, 960px\" \/><\/figure>\n\n\n\n<div class=\"wp-block-group padding-mobile is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-group is-vertical is-layout-flex wp-container-core-group-is-layout-2c90304e wp-block-group-is-layout-flex\">\n<p class=\"titulo-mobile has-x-large-font-size wp-block-paragraph\" style=\"padding-top:0;padding-bottom:0;line-height:1.2;text-transform:uppercase\"><strong>Garderobiers der Weltb\u00fchnen<\/strong><\/p>\n\n\n\n<p class=\"film-ortdatauhr sub-mobile has-text-color wp-block-paragraph\" style=\"color:#000000;margin-top:0;margin-bottom:0;font-size:20px;font-style:normal;font-weight:700;letter-spacing:0px;line-height:1.2;text-decoration:none;text-transform:uppercase\">J\u00f6rg Markowitsch \u2014 04.10.2020<\/p>\n<\/div>\n\n\n\n<div style=\"height:12px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"text-transform:none\"><strong>Im zweiten Teil seiner Trilogie \u00fcber Menschen in ungew\u00f6hnlichen Berufen, \u201eSecondo Me\u201d (2016), begleitet Pavel Cuzuioc drei Garderobiers an drei europ\u00e4ischen Opernh\u00e4usern und holt das Allt\u00e4gliche vor den Vorhang.<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Als ich vor geraumer Zeit an der Universit\u00e4t Tallinn zu tun hatte, es muss kurz nach Estlands EU-Beitritt gewesen sein, war ich fasziniert davon, dass es dort wie im Theater eine Garderobe gab, an der \u2013 zumeist \u00e4ltere Frauen \u2013 die Jacken und M\u00e4ntel junger Studenten entgegennahmen. Auf der einen Seite war da das Gef\u00fchl des Luxus in einem vermeintlich \u00e4rmeren Land, auf der anderen Seite die unmittelbar sichtbare Ungleichheit, aber gleichzeitig auch die gesellschaftliche Teilhabe der \u00e4lteren Generation und direkten Unterst\u00fctzung der j\u00fcngeren \u2013 es wirkte jedenfalls wie aus der Zeit gefallen.<br><br>Das Pausengespr\u00e4ch der Garderobenfrau und Pensionistin Nadezhda Sokhtskaya mit einer Arbeitskollegin an ihrem Arbeitsplatz im Opernhaus Odessa, dokumentiert im Film \u201eSecondo Me\u201d (2016) von Pavel Cuzuioc, hat genau diesen Eindruck in mir wieder wachgerufen. Ganz anders hingegen, und doch vergleichbar, weil im selben Beruf, wirken die beiden anderen Protagonisten des Films: Flavio Fornasa in der Garderobe des Teatro La Scala in Mailand und Ronald Zwanziger in jener der Wiener Staatsoper.<br><br>Flavio ist Mitte F\u00fcnfzig, hat an der Technischen Universit\u00e4t Mailand studiert und ist hauptberuflich Sicherheitsinspektor bei der nationalen italienischen Eisenbahngesellschaft. Die Suche nach einem zus\u00e4tzlichen Teilzeitjob hat ihn an die Scala gef\u00fchrt, wo er zun\u00e4chst Sicherheitsbeauftragter, dann Billeteur und schlie\u00dflich seit 2003 Garderobier wurde. Ronald, knapp \u00fcber siebzig, ist promovierter Indogermanist und war im Hauptberuf Bibliothekar an der Hauptbibliothek der Universit\u00e4t Wien, seit drei Dekaden arbeitet er jedoch zus\u00e4tzlich abends als Garderobier an der Wiener Staatsoper.<br><br>Der Film begleitet den Alltag der drei Garderobiers, ihr Arbeits\u2011, Freizeit- und Familienleben, zeigt sie im Fitnesscenter, im Nagelstudio, beim Besuch einer Delphinshow mit dem Enkel, beim Schachspiel mit den Kindern, beim Kochen, Essen und Schwimmen. Was sich auf den B\u00fchnen der Opernh\u00e4user abspielt bleibt dabei au\u00dfen vor und dringt nur gelegentlich beim \u00d6ffnen der gepolsterten T\u00fcren ans Ohr. Die B\u00fchne, die der Film ihnen bietet, geh\u00f6rt ausschlie\u00dflich den drei Garderobiers. Ihre kleinen Logen mit den aufgezogenen Vorh\u00e4ngen wirken dabei wie eine Miniaturausgabe der gro\u00dfen B\u00fchnen dieser H\u00e4user. Die Garderobe als Allegorie der Weltb\u00fchne. Flavio, der dabei ist, von seiner Arbeit Abschied zu nehmen, res\u00fcmiert dann auch als w\u00e4re er Direktor des Hauses und nicht Hilfskraft: \u201eInsgesamt, wenn ich an meine Zeit an der Scala denke, w\u00fcrde ich \u00fcberhaupt nichts anders machen [\u2026] im Grunde mochte ich es hier, ich war gl\u00fccklich.\u201c<br><br>Berufe, bei denen es uns schwer f\u00e4llt sie als Berufung wahrzunehmen, und Menschen, die f\u00fcr uns scheinbar unsichtbar ihrer Arbeit nachgehen und denen wir im Allgemeinen keine Beachtung schenken, denen gilt die ganze Aufmerksamkeit des in Rum\u00e4nien geborenen und in Wien lebenden Filmemachers Pavel Cuzuioc. Seine Hommagen an Berufs- und Lebensalltag r\u00fccken gesellschaftliche Ungleichheiten ein St\u00fcck zurecht und zeigen, dass das vermeintlich Gro\u00dfe auch im Kleinen, dem Einfachem, steckt, und Ersteres oft auch von Letzterem abh\u00e4ngt.<br><br>Referenzen:<br>Cuzuioc, Pavel (O.D),\u00a0 SECONDO ME,\u00a0<a href=\"https:\/\/secondomefilm.files.wordpress.com\/2016\/07\/pm-secondome-web.pdf\">Presseheft<\/a>, abgerufen am 5.10.2020<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-vimeo wp-block-embed-vimeo wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"responsive-container\"><iframe loading=\"lazy\" title=\"SECONDO ME - Trailer DE\" src=\"https:\/\/player.vimeo.com\/video\/204189874?dnt=1&amp;app_id=122963\" width=\"500\" height=\"282\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\"><\/iframe><\/div>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"padding-top:0;padding-bottom:0\">SECONDO ME, Ein Film von Pavel Cuzuioc, A 2016, 79 Min., DCP, ital.\/russ.\/dt. OF mit UT<\/p>\n\n\n\n<div style=\"height:32px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n<\/div>\n<\/div><\/div>\n\n\n<style>.kadence-column3083_813b22-b5 > .kt-inside-inner-col{display:flex;}.kadence-column3083_813b22-b5 > .kt-inside-inner-col{padding-right:var(--global-kb-spacing-md, 2rem);padding-bottom:var(--global-kb-spacing-lg, 3rem);padding-left:var(--global-kb-spacing-3xl, 6.5rem);}.kadence-column3083_813b22-b5 > .kt-inside-inner-col,.kadence-column3083_813b22-b5 > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column3083_813b22-b5 > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column3083_813b22-b5 > .kt-inside-inner-col{flex-direction:column;justify-content:flex-start;}.kadence-column3083_813b22-b5 > .kt-inside-inner-col > .aligncenter{width:100%;}.kt-row-column-wrap > .kadence-column3083_813b22-b5{align-self:flex-start;}.kt-inner-column-height-full:not(.kt-has-1-columns) > .wp-block-kadence-column.kadence-column3083_813b22-b5{align-self:auto;}.kt-inner-column-height-full:not(.kt-has-1-columns) > .wp-block-kadence-column.kadence-column3083_813b22-b5 > .kt-inside-inner-col{flex-direction:column;justify-content:flex-start;}.kadence-column3083_813b22-b5 > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column3083_813b22-b5{position:relative;}@media all and (max-width: 1024px){.kadence-column3083_813b22-b5 > .kt-inside-inner-col{padding-left:var(--global-kb-spacing-md, 2rem);flex-direction:column;justify-content:flex-start;}}@media all and (max-width: 1024px){.kt-row-column-wrap > .kadence-column3083_813b22-b5{align-self:flex-start;}}@media all and (max-width: 1024px){.kt-inner-column-height-full:not(.kt-has-1-columns) > .wp-block-kadence-column.kadence-column3083_813b22-b5{align-self:auto;}}@media all and (max-width: 1024px){.kt-inner-column-height-full:not(.kt-has-1-columns) > .wp-block-kadence-column.kadence-column3083_813b22-b5 > .kt-inside-inner-col{flex-direction:column;justify-content:flex-start;}}@media all and (max-width: 767px){.kadence-column3083_813b22-b5 > .kt-inside-inner-col{padding-right:var(--global-kb-spacing-sm, 1.5rem);padding-left:var(--global-kb-spacing-sm, 1.5rem);flex-direction:column;justify-content:flex-start;}.kt-row-column-wrap > .kadence-column3083_813b22-b5{align-self:flex-start;}.kt-inner-column-height-full:not(.kt-has-1-columns) > .wp-block-kadence-column.kadence-column3083_813b22-b5{align-self:auto;}.kt-inner-column-height-full:not(.kt-has-1-columns) > .wp-block-kadence-column.kadence-column3083_813b22-b5 > .kt-inside-inner-col{flex-direction:column;justify-content:flex-start;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column3083_813b22-b5 kb-section-dir-vertical inner-column-2\"><div class=\"kt-inside-inner-col\">\n<div style=\"height:500px\" aria-hidden=\"true\" class=\"wp-block-spacer wp-block-hidden-mobile\"><\/div>\n\n\n\n<div class=\"wp-block-group is-layout-constrained wp-container-core-group-is-layout-ee2332cf wp-block-group-is-layout-constrained\">\n<figure class=\"wp-block-embed is-type-video is-provider-vimeo wp-block-embed-vimeo wp-embed-aspect-16-9 wp-has-aspect-ratio\" style=\"margin-top:0;margin-bottom:0\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"responsive-container\"><iframe loading=\"lazy\" title=\"SECONDO ME - Trailer DE\" src=\"https:\/\/player.vimeo.com\/video\/204189874?dnt=1&amp;app_id=122963\" width=\"500\" height=\"282\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\"><\/iframe><\/div>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"margin-top:var(--wp--preset--spacing--30);font-size:12px;text-transform:uppercase\">Gundermann, 2018, Deutschland, Trailer<\/p>\n<\/div>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-group is-layout-constrained wp-container-core-group-is-layout-9790f0ff wp-block-group-is-layout-constrained\">\n<figure class=\"wp-block-image size-full\" style=\"margin-top:0;margin-bottom:0\"><img loading=\"lazy\" decoding=\"async\" width=\"960\" height=\"608\" src=\"https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/09\/secodno-me_still_nadezhda-sokhatskaya_copyright_michael-schindegger.jpg\" alt=\"\" class=\"wp-image-3087\" srcset=\"https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/09\/secodno-me_still_nadezhda-sokhatskaya_copyright_michael-schindegger.jpg 960w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/09\/secodno-me_still_nadezhda-sokhatskaya_copyright_michael-schindegger-300x190.jpg 300w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/09\/secodno-me_still_nadezhda-sokhatskaya_copyright_michael-schindegger-767x486.jpg 767w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/09\/secodno-me_still_nadezhda-sokhatskaya_copyright_michael-schindegger-18x11.jpg 18w\" sizes=\"auto, (max-width: 960px) 100vw, 960px\" \/><\/figure>\n\n\n\n<div class=\"wp-block-group is-layout-constrained wp-container-core-group-is-layout-ee2332cf wp-block-group-is-layout-constrained\">\n<p class=\"has-ast-global-color-1-color has-text-color has-link-color wp-elements-1 wp-block-paragraph\" style=\"font-size:12px;text-transform:uppercase\">Nadezhda Sokhatskaya, Odessa Opera House, Filmstill<br>\u00a9 Michael Schindegger, PAVEL CUZUIOC FILMPRODUKTION<\/p>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-group is-layout-constrained wp-container-core-group-is-layout-9790f0ff wp-block-group-is-layout-constrained\">\n<figure class=\"wp-block-image size-full\" style=\"margin-top:0;margin-bottom:0\"><img loading=\"lazy\" decoding=\"async\" width=\"960\" height=\"608\" src=\"https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/09\/secodno-me_still_flavio-fornasa_copyright_michael-schindegger.jpg\" alt=\"\" class=\"wp-image-3088\" srcset=\"https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/09\/secodno-me_still_flavio-fornasa_copyright_michael-schindegger.jpg 960w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/09\/secodno-me_still_flavio-fornasa_copyright_michael-schindegger-300x190.jpg 300w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/09\/secodno-me_still_flavio-fornasa_copyright_michael-schindegger-767x486.jpg 767w, https:\/\/arbeits-film-festival.at\/wp-content\/uploads\/2026\/09\/secodno-me_still_flavio-fornasa_copyright_michael-schindegger-18x11.jpg 18w\" sizes=\"auto, (max-width: 960px) 100vw, 960px\" \/><\/figure>\n\n\n\n<div class=\"wp-block-group is-layout-constrained wp-container-core-group-is-layout-ee2332cf wp-block-group-is-layout-constrained\">\n<p class=\"has-ast-global-color-1-color has-text-color has-link-color wp-elements-2 wp-block-paragraph\" style=\"font-size:12px;text-transform:uppercase\">Flavio Fornasa \u2013 La Scala, Milan. Filmstill<br>\u00a9 Michael Schindegger, PAVEL CUZUIOC FILMPRODUKTION<\/p>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:48px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Tags  <strong>\u2501\u2501\u2501\u2501<strong>\u2501<\/strong>\u2501<strong>\u2501\u2501\u2501<strong>\u2501<\/strong>\u2501<\/strong><\/strong><\/p>\n\n\n<div style=\"text-transform:uppercase\" class=\"taxonomy-post_tag wp-block-post-terms has-small-font-size\"><a href=\"https:\/\/arbeits-film-festival.at\/en\/tag\/garderobier-garderobiere\/\" rel=\"tag\">Garderobier\/Garderobiere<\/a><span class=\"wp-block-post-terms__separator\">, <\/span><a href=\"https:\/\/arbeits-film-festival.at\/en\/tag\/hilfsberufe-im-kulturbereich\/\" rel=\"tag\">Hilfsberufe im Kulturbereich<\/a><span class=\"wp-block-post-terms__separator\">, <\/span><a href=\"https:\/\/arbeits-film-festival.at\/en\/tag\/mailand\/\" rel=\"tag\">Mailand<\/a><span class=\"wp-block-post-terms__separator\">, <\/span><a href=\"https:\/\/arbeits-film-festival.at\/en\/tag\/odessa\/\" rel=\"tag\">Odessa<\/a><span class=\"wp-block-post-terms__separator\">, <\/span><a href=\"https:\/\/arbeits-film-festival.at\/en\/tag\/opernhaus\/\" rel=\"tag\">Opernhaus<\/a><span class=\"wp-block-post-terms__separator\">, <\/span><a href=\"https:\/\/arbeits-film-festival.at\/en\/tag\/pavel-cuzuioc\/\" rel=\"tag\">Pavel Cuzuioc<\/a><span class=\"wp-block-post-terms__separator\">, <\/span><a href=\"https:\/\/arbeits-film-festival.at\/en\/tag\/trilogie\/\" rel=\"tag\">Trilogie<\/a><span class=\"wp-block-post-terms__separator\">, <\/span><a href=\"https:\/\/arbeits-film-festival.at\/en\/tag\/wien\/\" rel=\"tag\">Wien<\/a><\/div><\/div><\/div>\n\n<\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>In the second part of his trilogy about people in unsung professions, \"Secondo Me\" (2016), Pavel Cuzuioc accompanies three cloakroom attendants at three European opera houses and welcomes the everyday to stage.<\/p>","protected":false},"author":1,"featured_media":3089,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center 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zweiten Teil seiner Trilogie \u00fcber Menschen in ungew\u00f6hnlichen Berufen, \u201eSecondo Me\u201d (2016), begleitet Pavel Cuzuioc drei Garderobiers an drei europ\u00e4ischen Opernh\u00e4usern und holt das Allt\u00e4gliche vor den Vorhang.","_links":{"self":[{"href":"https:\/\/arbeits-film-festival.at\/en\/wp-json\/wp\/v2\/posts\/3083","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/arbeits-film-festival.at\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/arbeits-film-festival.at\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/arbeits-film-festival.at\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/arbeits-film-festival.at\/en\/wp-json\/wp\/v2\/comments?post=3083"}],"version-history":[{"count":3,"href":"https:\/\/arbeits-film-festival.at\/en\/wp-json\/wp\/v2\/posts\/3083\/revisions"}],"predecessor-version":[{"id":3090,"href":"https:\/\/arbeits-film-festival.at\/en\/wp-json\/wp\/v2\/posts\/3083\/revisions\/3090"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/arbeits-film-festival.at\/en\/wp-json\/wp\/v2\/media\/3089"}],"wp:attachment":[{"href":"https:\/\/arbeits-film-festival.at\/en\/wp-json\/wp\/v2\/media?parent=3083"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/arbeits-film-festival.at\/en\/wp-json\/wp\/v2\/categories?post=3083"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/arbeits-film-festival.at\/en\/wp-json\/wp\/v2\/tags?post=3083"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}